Browning, Robert, and Julia Wedgwood. “Introduction”. Robert Browning and Julia Wedgwood: A Broken Friendship as Revealed by Their Letters, edited by Richard Curle, Frederick A. Stokes, 1937, p. vii - xxiii.
3n1
Robert Browning
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Standard Name: Browning, Robert
Used Form: Z
RB
wrote thirty-one books of poetry (excluding numerous collected editions) and became the most influential practitioner of the dramatic monologue in the Victorian period. He also wrote literary criticism and two plays that were staged. His poetry's conversational phrasing, challenging syntax, quotidian imagery, and philosophical preoccupations respond to romanticism and anticipate modernism. He has become one of the most prominent among canonical Victorian poets.
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Residence | Freya Stark | Robert Stark had loved Asolo since his student days in Rome, when he was shown the town by Pen Browning
, the son of Elizabeth Barrett
and Robert Browning
. Robert and Flora's close friend,... |
| Residence | Julia Wedgwood | JW
met Robert Browning
at a dinner party at her parents' home at 1 Cumberland Place, Regent's Park, where she still lived. Wedgwood, Barbara, and Hensleigh Wedgwood. The Wedgwood Circle, 1730-1897: Four Generations of a Family and Their Friends. Studio Vista, 1980. 276 |
| Reception | Queen Victoria | Leaves from the Journal of Our Life in the Highlands outsold many books that appeared in 1868, including Wilkie Collins
's The Moonstone, Robert Browning
's Ring and the Book, and Louisa May Alcott |
| Reception | Dinah Mulock Craik | Following her death, a committee which included Tennyson
, Arnold
, Robert Browning
, Margaret Oliphant
, T. H. Huxley
, and James Russell Lowell
was formed to devise a memorial to DMC
in Tewkesbury... |
| Reception | Julia Wedgwood | The Moral Ideal was well received critically when it came out and gave JW
some literary celebrity. In the wake of its success, her novels were reprinted, this time under her own name. C. H. Herford |
| Reception | A. Mary F. Robinson | The book was a critical success. Rumours spread that Tennyson
and Browning
had enjoyed reading it, and this made the young poet the talk of literary London. Robertson, Eric Sutherland. English Poetesses. Cassell, 1883. 376 |
| Reception | Augusta Webster | Portraits, a sustained feminist engagement with the form of the dramatic monologue, remains AW
's most studied work. While clearly influenced by male practitioners, Browning
in particular, her poems operate quite differently from many... |
| Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
| Reception | Michael Field | Edith sent Browning
a copy of this book, calling it the first fruits of thought spent by a new labourer on the vine-yard of human life. If you will taste the fruit, it will not... |
| Reception | Adelaide Procter | Critic Gill Gregory
argues that this poem is part of a series, with A Woman's Answer (a title Procter adopted from Robert Browning
) and A Woman's Last Word, in which she responds to... |
| Reception | Lucy Walford | After the publication of Recollections of a Scottish NovelistLW
decided that there were still stories in her mind that rank among the great days of my life, yet which did not fit in with... |
| Publishing | Mollie Panter-Downes | MPD
began submitting material to the New Yorker in or before 1937, against the judgement of her agent, Nancy Pearn
of Curtis Brown
, who is said to have exclaimed: Oh no dear, no, no... |
| Publishing | Olivia Manning | Abroad during the second world war, OM
continued to write and place stories, and also essays. She was for a while employed on the literary pages of the Jerusalem Post. Treglown, Jeremy. “Make use of me”. London Review of Books, 9 Feb. 2006, pp. 21-2. 22 |
| Publishing | Margaret Kennedy | She dedicated this novel to her husband
. Like its predecessor, The Fool of the Family went through stage and screen adaptations. It was first performed in 1933 with the new title: Escape Me Never... |
| Publishing | Isa Blagden | A letter from Browning
intimates that Frederic Chapman
paid her £170 for the novel as a bribe to him rather than as what it was worth. qtd. in Browning, Robert, and Isa Blagden. Dearest Isa: Robert Browning’s Letters to Isabella Blagden. Editor McAleer, Edward C., Greenwood Press. 288 |
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