H. D.

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Standard Name: H. D.
Used Form: Hilda Doolittle
Birth Name: Hilda Doolittle
Married Name: Hilda Aldington
Self-constructed Name: H. D.
Pseudonym: John Helforth
Pseudonym: Edith Gray
Pseudonym: Helga Dorn
Pseudonym: J. Beran
Pseudonym: Rhoda Peter
Pseudonym: Helga Dart
Pseudonym: Delia Alton
Nickname: Dryad
Nickname: Dooley
Nickname: Astraea
HD, born American, who took British nationality after a marriage which lasted longer on paper than in practice, was a key figure in the international Imagist movement of the early twentieth century and in modernism more broadly: both through her own poetry and through her editing and dissemination of the work of others. As well as her imagistic pieces, she wrote complex longer poems (most published during her lifetime), translation, essays, reviews, outlines for films, and autobiographical novels which are, like most of her work, explorations of the self. Here she writes à clef of her own past, but also builds a web of mythical and psycho-analytical reference which makes her texts dense as well as rewarding. She is an explorer of the female psyche, and of the relation of gender to creativity and of myth to psychoanalysis.

Connections

Connections Sort descending Author name Excerpt
Occupation Bryher
With funds and additional production assistance, Bryher contributed to Weaver 's Egoist Press 's Poets' Translation Series. She also subsidized the publication of Hymen by H. D. , which, like Moore's collection, was released...
Occupation Edith Sitwell
It was well attended by women writers. Ivy Compton-Burnett and Bryher were there, and H. D. and Vita Sackville-West were among the other readers on the evening's programme. Dorothy Wellesley was to have read also...
Performance of text Bryher
The POOL collective produced four silent films, the best-known and most ambitious of which is Borderline (1930). Presenting a seemingly disjointed, obscure mix of racial and sexual conflicts, Borderline shows the influences of Pabst ,...
politics Bryher
H. D. , Edith Sitwell , Vita Sackville-West , Dorothy Wellesley , T. S. Eliot , and Walter de la Mare were among the readers at this event, which also received royal patronage.
Collecott, Diana. H.D. and Sapphic Modernism, 1910-1950. Cambridge University Press, 1999, http://Rutherford HSS.
235 and n45
Publishing May Sinclair
MS published a highly laudatory review, Two Notes, of H. D. 's poetry in The Egoist.
Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973.
265
Publishing May Sinclair
MS 's long article on H. D. 's development as a poet was printed in almost complete form in The Fortnightly Review; it had appeared five years earlier, much abridged, in the Dial.
Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973.
308-9
Publishing Dora Marsden
Plans were afoot to relaunch The Freewoman shortly after it collapsed in its first form. When Marsden retreated to Southport for health reasons, Rebecca West acted as liaison between her and supporters in the Freewoman Discussion Circle
Residence Bryher
Bryher and H. D. , along with H. D.'s daughter Perdita , took the Riant Chateau, a pension in Territet, Switzerland, as their primary residence.
Hanscombe, Gillian, and Virginia L. Smyers. Writing for Their Lives: The Modernist Women, 1910-1940. Women’s Press, 1987.
41
Robinson, Janice S. H.D.: The Life and Work of an American Poet. Houghton Mifflin, 1982.
265
Residence Bryher
Inspired by the Bauhaus aesthetic of Berlin, Bryher built Kenwin, her home near Montreux in the Vaud canton, Switzerland. She shared it for a time with Kenneth Macpherson , H. D. , and H. D.'s daughter Perdita .
Hanscombe, Gillian, and Virginia L. Smyers. Writing for Their Lives: The Modernist Women, 1910-1940. Women’s Press, 1987.
44
Bryher,. The Heart to Artemis: A Writer’s Memoirs. Collins, 1963.
259
Textual Features Dora Marsden
A marked difference separating The New Freewoman from its predecessor was its increased literary content, at first secured mainly by Rebecca West . West recruited Ezra Pound to The New Freewoman after meeting him at...
Textual Features Charlotte Mew
Critic Jeredith Merrin , following H. D. , suggests that Robert Browning 's blank-verse, fictionalized confessions,
Merrin, Jeredith. “The Ballad of Charlotte Mew”. Modern Philology, Vol.
95
, No. 2, 1997, pp. 200-17.
205
may have influenced CM 's handling of dramatic monologue.
H. D.,. “Review of The Farmer’s Bride by Charlotte Mew”. The Egoist, Vol.
3
, No. 9, Sept. 1916, p. 135.
Merrin also finds echoes of Christina Rossetti in CM
Textual Features Edith Sitwell
ES praises Marianne Moore as one of the very few women who have written poetry of worth.
qtd. in
British Book News. British Council.
(1951): 446
(She also, however, accords H. D. the highest praise.)
Textual Features Edith Sitwell
The English edition appeared the following year. Her choice for inclusion is, as usual, idiosyncratic. She begins well before Chaucer , with anonymous early religious poems in which may be heard, she writes, the creaking...
Textual Production Bryher
Desmond MacCarthy had launched Life and Letters in June 1928; it issued its last number this month, and Bryher's new publication first appeared in September. It merged it with the London Mercury after May 1939...
Textual Production Anne Carson
AC 's The Albertine Workout was published as New Directions Poetry Pamphlet no. 13 (in a series whose no. 7 was H. D. 's Vale Ave).
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
“Anne Carson”. New Directions.

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