George Gordon, sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

Connections Sort descending Author name Excerpt
Textual Production Sarah Stickney Ellis
In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life...
Textual Production Jane Loudon
The title-page bears a couplet from Byron 's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't.
Textual Production Barbarina Brand, Baroness Dacre
In March 1819 Joanna Baillie had described her as Still hankering after the Drama, but fearful & diffident of herself.
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
2: 1191
Dacre's prefatory comments play down her ambition and even her skill, but she...
Textual Production Elizabeth Thomas
With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas entered the controversy swirling around Byron , again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 421
Textual Production Dorothy Wellesley
DW set up her own Penns in the Rocks Press and in conjunction with publishers William Collins produced volumes of Byron and Shelley each illustrated in black-and-white and colour.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Textual Production Edna O'Brien
In Byron in Love, EOB presented a vivid gallery of the poet's lovers, but more especially his relationships with his wife, Isabella Milbanke , and his half-sister, Augusta Leigh .
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
Textual Production Dorothy Whipple
The country house which is the centre and almost the leading character of this novel was called in DW 's earliest working drafts The Manor and later Saunby (still used in the novel as published)...
Textual Production Lucille Iremonger
LI published two biographies of English princesses: of Princess Sophia , daughter of George III (who bore a child to an unidentified father), in 1958, and of Queen Victoria 's daughters in 1982. In 1981...
Textual Production Elizabeth Thomas
She wrote this novel, she said, because she admired Byron 's poem Childe Harold, but thought it wanted a finish.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
(This was no wonder, since only the first two cantos had so far...
Textual Production Margiad Evans
ME did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron , a short study of John Clare , a few stories...
Textual Production Mary Ann Browne
She quotes L. E. L. on her title page, and dedicates her work (these early efforts of my timid Muse)
Browne, Mary Ann. Mont Blanc. Hatchard and Son.
v
to Princess Augusta Sophia . A preface by an unnamed male friend...
Textual Production Mary Shelley
MS was the only one of the group to rise to Byron 's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817.
Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43.
33
She dedicated the printed...
Textual Production Harriet Beecher Stowe
HBS defended the role taken by Lady Byron in her marriage to the poet , which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated.
Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press.
368
Adams, John R. Harriet Beecher Stowe. Twayne.
88
Textual Production Amelia Beauclerc
The title-page quotes Byron .
Textual Production Catherine Fanshawe
The letter that CF wrote about her first meeting with Germaine de Staël (also, apparently, her first meeting with Byron ) concentrates firmly on de Staël: Eloquence is a great word, but not too big...

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