Emecheta, Buchi. Head Above Water. Heinemann.
19
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon. xvi-xvii |
Intertextuality and Influence | Felicia Hemans | She particularly admired Joanna Baillie
's Ethwald and the Chronicles of Froissart
. Germaine de Staël
's Corinne was another major influence on her. She wrote years later: That book, in particular towards its close... |
Intertextuality and Influence | Ruby M. Ayres | Love Without Wings takes its epigraph from Byron
, though RMA
writes, Friendship is love, without wings. Ayres, Ruby M. Love Without Wings. Hodder and Stoughton. title-page |
Intertextuality and Influence | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. iii |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Literary responses | Kate O'Brien | It was widely and enthusiastically reviewed. Biographer Lorna Reynolds
says KOB
, like Byron
, awoke one day to find herself famous. Reynolds, Lorna. Kate O’Brien: A Literary Portrait. Colin Smythe; Barnes and Noble. 39 |
Literary responses | Frances Browne | In the Dictionary of Literary BiographyMarya DeVoto
noted the interest in The Star of Attéghéi (and other poems in the volume) in the idea of exile, and the elegaic tone that pervades the volume... |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
Literary responses | Felicia Hemans | Byron
considered this poem inadequate as a result of FH
's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his. Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii. xvi Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Joanna Baillie | The Chief Justice of Ceylon, Sir Alexander Johnstone
, asked that two of JB
's last plays be translated into Singalese.One—The Bride, A Tragedy (published in summer 1828), had a Singalese subject. Quarterly Review. J. Murray. 38 (1828): 602 |
Literary responses | Charlotte Dacre | Byron
disparaged what he judged to be Rosa's absurd and incomprehensible prose in masquerade Dacre, Charlotte. “Introduction”. Zofloya; or, The Moor, edited by Kim Ian Michasiw, Oxford University Press, p. vii - xxx. xii |
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