Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
2: 1191
Connections Sort descending | Author name | Excerpt |
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Textual Production | Barbarina Brand, Baroness Dacre | In March 1819 Joanna Baillie
had described her as Still hankering after the Drama, but fearful & diffident of herself. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 1191 |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Textual Production | Mary Shelley | The presentation copy of Frankenstein, first edition, which MS
inscribed To Lord Byron
, from the Author, turned up among the papers of the Labour politician |
Textual Production | Edna O'Brien | In Byron
in Love, EOB
presented a vivid gallery of the poet's lovers, but more especially his relationships with his wife, Isabella Milbanke
, and his half-sister, Augusta Leigh
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Lucille Iremonger | LI
published two biographies of English princesses: of Princess Sophia
, daughter of George III
(who bore a child to an unidentified father), in 1958, and of Queen Victoria
's daughters in 1982. In 1981... |
Textual Production | Margiad Evans | ME
did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron
, a short study of John Clare
, a few stories... |
Textual Production | Mary Shelley | MS
helped Edward John Trelawny
by editing his autobiographical Adventures of a Younger Son, 1831: among other things she added epigraphs from both Byron
and Percy Shelley
, and supplied his title. She also... |
Textual Production | Amelia Beauclerc | The title-page quotes Byron
. |
Textual Production | Catherine Fanshawe | The letter that CF
wrote about her first meeting with Germaine de Staël
(also, apparently, her first meeting with Byron
) concentrates firmly on de Staël: Eloquence is a great word, but not too big... |
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press. 368 Adams, John R. Harriet Beecher Stowe. Twayne. 88 |
Textual Production | Felicia Skene | After five years living in Greece, FS
published her first work, a collection of poems entitled The Isles of Greece, and Other Poems as Felicia Mary Frances Skene. The title apparently alludes... |
Textual Production | Amelia Beauclerc | The title-page suggests foreboding by again quoting Byron
, Fair laughs the morn. |
Textual Production | Mathilde Blind | MB
edited, with introductions, Byron
's Letters and Journals and his Poetical Works (two volumes), issued in London by the publisher Walter Scott
. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
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