Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray.
21
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Catherine Fanshawe | Barbarina Brand, Lady Dacre
, later wrote that she owned a copy of the Riddle on the Letter H in Fanshawe's handwriting dating from around 1806, before anyone had heard of Byron
. Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray. 21 |
Textual Production | Mary Shelley | MS
was the only one of the group to rise to Byron
's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817. Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43. 33 |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Textual Production | George Paston | GP
had discovered these letters—written by, among others, Elizabeth Pigot
, Lady Caroline Lamb
, Augusta Leigh
, Lady Melbourne
, Annabella Milbanke
, Claire Clairmont
, and the actresses Susan Boyce
and Mrs Spencer... |
Textual Production | Mary Shelley | The presentation copy of Frankenstein, first edition, which MS
inscribed To Lord Byron
, from the Author, turned up among the papers of the Labour politician |
Textual Production | Percy Bysshe Shelley | PBS
published his long poem Queen Mab, following quickly on Byron
's The Giaour. Granniss, Ruth S. A Descriptive Catalogue. The Grolier Club. 28-9 |
Textual Production | Mary Shelley | MS
helped Edward John Trelawny
by editing his autobiographical Adventures of a Younger Son, 1831: among other things she added epigraphs from both Byron
and Percy Shelley
, and supplied his title. She also... |
Textual Production | Mary Russell Mitford | MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari. Quarterly Review. J. Murray. Quarterly 35 (1927): 317 |
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Conversations of Lord Byron
with the Countess of Blessington appeared in volume form. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 3 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 149 |
Textual Production | Felicia Skene | After five years living in Greece, FS
published her first work, a collection of poems entitled The Isles of Greece, and Other Poems as Felicia Mary Frances Skene. The title apparently alludes... |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Harriet Smythies | She quoted Byron
and the Greek historian Thucydides
on her title-page, and dedicated the poem to the Spirit of 'The Times'—that is, the newspaper. A letter to the editor of the Times... |
Textual Production | Frances Trollope |
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