Sydney Owenson Lady Morgan

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Standard Name: Morgan, Sydney Owenson,,, Lady
Birth Name: Sydney Owenson
Titled: Lady Sydney Owenson
Married Name: Lady Sydney Morgan
Pseudonym: S. O.
Nickname: Glorvina
Nickname: The Wild Irish Girl
In her capacities as poet, novelist, and travel writer with a sharp eye for culture and politics, SOLM spoke for the early movement of Irish nationalism. She also wrote plays and verse. Her reputation, once dragged down by her politics, is now rising.
Full-length portrait of Sydney Owenson, Lady Morgan, by René Théodore Berthon, c. 1818. She sits in an ornate chair, with an elbow on a desk bearing paper, an inkwell, and a vase of flowers; her head rests pensively on her hand. She is wearing a black Empire-style dress with short puff sleeves, and holding a quill pen. A blue mantle with plentiful white fur trim is thrown carelessly on her chair. National Gallery of Ireland.
Title-page of "Miss Owenson" (later Sydney Owenson, Lady Morgan)'s "The Lay of an Irish Harp or Metrical Fragments", New York, 1808 (the year after it appeared in England). The page features an over-sized Irish harp resting against what must be intended as a weeping willow.

Connections

Connections Author name Excerpt
Textual Features Elizabeth Hervey
It is variously and descriptively set in Wales (where it opens near the mountains of Snowdon and Penmaenmawr), Ireland, and South Carolina, where Ned's adventures begin with landing at Charlestown (or Charleston)...
Textual Features Mary Martin
This novel follows in a tradition of presenting politically educative romance between Irish Catholic and English Protestant, which goes back to Sydney Owenson 'The Wild Irish Girl, 1806. Its interest lies in its...
Textual Features Georgiana Chatterton
GC enters warmly into the sufferings, both physical and emotional, of the poverty-stricken, sometimes starving, Irish peasants. She insists that Irish people have good taste and intelligence, talent, imagination and wit, and feels that many...
Textual Features Catherine Gore
CG told Sydney Morgan that her publisher, Bentley , had both thought of the subject and suggested the title. But with this self-exculpation she admitted that her protagonist was based on Mary, Countess of Cork and Orrery
Textual Features Harriette Wilson
Much in this revised and expanded edition is merely scrappy (and some is written by Stockdale), with nuggets strung together by such giveaway phrases as By the bye and To change the subject.
qtd. in
Wilson, Frances. The Courtesan’s Revenge. Faber, 2003.
249
But...
Textual Production Catherine Cookson
From the age of eleven Catherine McMullen (later CC ) scribbled poems, stories, and plays. She called her first serious story The Wild Irish Girl—although if the title of Sydney Morgan 's novel had...
Textual Production Charlotte Nooth
As was her custom, she set her name to her work (which is now available on the world wide web). Although it was printed at Paris it apparently had an eye to an English market...
Textual Production Ann Batten Cristall
The publisher Joseph Johnson issued by subscription ABC 's Poetical Sketches: an important text in women's Romanticism.
Her title was the same as that of William Blake 's first publication, 1783. Critic Richard C. Sha
Textual Production Geraldine Jewsbury
From 1857 to 1858 GJ helped Lady Morgan compile her Passages from My Autobiography, published on 1 January 1859.
Howe, Susanne. Geraldine Jewsbury: Her Life and Errors. George Allen and Unwin, 1935.
137-9
She also edited with William Hepworth DixonLady Morgan's Memoirs: Autobiography, Diaries and Correspondence...
Textual Production Mrs F. C. Patrick
This novel predates The Wild Irish Girl by Sydney Owenson (later Morgan) , which is generally thought of as the earliest novel of romantic Irish nationalism, by nearly a decade. Bibliographer Deborah McLeod notes that...
Textual Production Christian Isobel Johnstone
She published this anonymously. Another edition of the same year has the Edinburgh imprint only. She claims that the first half of the work was set up in print before she had seen Scott 's...
Textual Production Rosina Bulwer Lytton Baroness Lytton
Rosina Bulwer (later Baroness Lytton) published her first novel, Cheveley; or, The Man of Honour, in three volumes.
It was reviewed on this date in the Athenæum by Sydney Morgan .
Lytton, Rosina Bulwer Lytton, Baroness. “Introduction”. A Blighted Life, edited by Marie Mulvey Roberts, Thoemmes, 1994, p. vi - xxxvi.
xxxv
Athenæum. J. Lection.
596 (1839): 235-6
Textual Production Elizabeth Strickland
ES also became editor (through the good offices of Sydney Morgan ) of Henry Colburn 's Court Journal, which he launched in 1829. She later gave up this editorship in order to invest her...
Textual Production Agnes Strickland
Even before settling in London, AS began her professional authorial career with tales for children, many published in The Parting Gift, of which she was at that time the editor.
Pope-Hennessy, Una. Agnes Strickland: Biographer of the Queens of England. Chatto and Windus, 1940.
22
She published...
Textual Production Barbara Hofland
BH 's correspondence with Mary Russell Mitford (whose earliest surviving letter dates from 25 May 1820) reveals her as an active and eclectic reader. The two women exchanged responses to Anna Maria Porter , Amelia Opie

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