Sydney Owenson Lady Morgan
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Standard Name: Morgan, Sydney Owenson,,, Lady
Birth Name: Sydney Owenson
Titled: Lady Sydney Owenson
Married Name: Lady Sydney Morgan
Pseudonym: S. O.
Nickname: Glorvina
Nickname: The Wild Irish Girl
In her capacities as poet, novelist, and travel writer with a sharp eye for culture and politics, SOLM
spoke for the early movement of Irish nationalism. She also wrote plays and verse. Her reputation, once dragged down by her politics, is now rising.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Adelaide O'Keeffe | AOK
's unusual historical novel, which appeared several years before anything comparable by Sydney Morgan
, Christian Isobel Johnstone
, or Sir Walter Scott
, seems to carry within itself the seeds of the national... |
Textual Features | Melesina Trench | About the first twenty pages are occupied by MT
's early reminiscences, probably written not long after her first husband's death: she frankly recorded her emotional disturbance over that event. Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Second edition, revised, Parker and Bourn, 1862. 18 |
Textual Features | Dorothea Primrose Campbell | One of the Royal Literary Fund
's forms gives this novel the title A Zetland Tale. It is indeed a National Tale, comparable to those of Scott, Christian Isobel Johnstone
, and Sydney Morgan
. Archives of the Royal Literary Fund, 1790-1918. |
Textual Features | Elizabeth Hervey | It is variously and descriptively set in Wales (where it opens near the mountains of Snowdon and Penmaenmawr), Ireland, and South Carolina, where Ned's adventures begin with landing at Charlestown (or Charleston)... |
Textual Features | Mary Martin | This novel follows in a tradition of presenting politically educative romance between Irish Catholic and English Protestant, which goes back to Sydney Owenson
'The Wild Irish Girl, 1806. Its interest lies in its... |
Textual Production | Barbara Hofland | BH
's correspondence with Mary Russell Mitford
(whose earliest surviving letter dates from 25 May 1820) reveals her as an active and eclectic reader. The two women exchanged responses to Anna Maria Porter
, Amelia Opie |
Textual Production | Catherine Fanshawe | The letters that CF
sent to Anne Grant
are not extant, but Grant's side of the correspondence leaves no doubt that the two were in constant dialogue about new books they had read, and their... |
Textual Production | Catherine Hutton | In the same month that she visited London to arrange this publication (her debut as a named author) she also began on her next novel. Yet she wrote of The Miser Married: I have... |
Textual Production | Lady Caroline Lamb | |
Textual Production | Lady Mary Wortley Montagu | Byron
(an admirer of Montagu's writing) came on some of her letters to Algarotti in Venice in the early nineteenth century, but his efforts to get John Murray
to publish them came to nothing. A... |
Textual Production | Charlotte Nooth | As was her custom, she set her name to her work (which is now available on the world wide web). Although it was printed at Paris it apparently had an eye to an English market... |
Textual Production | Catherine Cookson | From the age of eleven Catherine McMullen (later CC
) scribbled poems, stories, and plays. She called her first serious story The Wild Irish Girl—although if the title of Sydney Morgan
's novel had... |
Textual Production | Ann Batten Cristall | The publisher Joseph Johnson
issued by subscription ABC
's Poetical Sketches: an important text in women's Romanticism. Her title was the same as that of William Blake
's first publication, 1783. Critic Richard C. Sha |
Textual Production | Geraldine Jewsbury | From 1857 to 1858 GJ
helped Lady Morgan
compile her Passages from My Autobiography, published on 1 January 1859. Howe, Susanne. Geraldine Jewsbury: Her Life and Errors. George Allen and Unwin, 1935. 137-9 |
Textual Production | Mrs F. C. Patrick | This novel predates The Wild Irish Girl by Sydney Owenson (later Morgan)
, which is generally thought of as the earliest novel of romantic Irish nationalism, by nearly a decade. Bibliographer Deborah McLeod
notes that... |
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Texts
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