Henrik Ibsen

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Standard Name: Ibsen, Henrik
The plays of Henrik Ibsen , nineteenth-century Norwegian poet and dramatist, were both controversial and enormously influential in Britain; their use of realist techniques to address contemporary social problems helped to bring about a revolution in English drama. Elizabeth Robins and Florence Farr played important roles in getting his plays staged in England, and Robins interpreted his characters on stage. After the 1889 production of A Doll's House in London, British feminists claimed Ibsen as an ally, and his name became closely associated with New Woman writers such as George Egerton and Mona Caird . Githa Sowerby and Elizabeth Baker were among the many dramatists influenced by his work.
Three-quarter-length painting of Henrik Ibsen by Eilif Peterssen, 1895. Ibsen sits looking straight at the viewer through rimless glasses. He has grey bushy hair and mutton-chop whiskers, and wears a black coat.

Connections

Connections Author name Excerpt
Textual Production Storm Jameson
Decades later she remembered praising Chekhov , Hoffmansthal , Ibsen , and Strindberg , while admitting that I mocked, censured, rebuked, tore down, with reckless delight, Shaw , Yeats , Masefield ,
Jameson, Storm. Journey from the North. Harper and Row, 1970.
69
and other British dramatists.
Textual Production Ann Jellicoe
AJ knew from an early age that she wanted to work in the theatre. At school she put together amateur productions of many of her own creations. Her first work to achieve a professional production...
Textual Features Ruth Prawer Jhabvala
The script uses narrative by Gilot in voice-over to supplement its dramatic settings and tense encounters between people.
Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997.
247
The film as a whole is disturbing in rather the way that Jefferson is and that...
Textual Production Elizabeth Jolley
EJ invoked as an appropriate description of her own motivation, Flaubert 's dictum that writing comes from an inner wound.
Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol.
15
, No. 2, 1993, pp. 37-43.
40
She said of Johnson 's Rasselas and Goethe 's Elective Affinities (both of which...
Intertextuality and Influence Ada Leverson
This dialogue brings together several fictional characters, including Wilde 's Salome, Ibsen 's Nora, Pinero 's Mrs Tanqueray, and Madame Santuzza from Mascagni 's opera Cavalleria Rusticana.
Burkhart, Charles. Ada Leverson. Twayne, 1973.
69
Textual Production Hannah Lynch
The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray in his various...
Performance of text Katherine Mansfield
The literary house-party at Garsington performed KM 's The Laurels, a kind of Ibsen -Russian play
qtd. in
Alpers, Antony. The Life of Katherine Mansfield. Oxford University Press, 1982.
227
(as Carrington called it).
Alpers, Antony. The Life of Katherine Mansfield. Oxford University Press, 1982.
227
Intertextuality and Influence E. Nesbit
In this an advanced woman, Nora, smokes as a protest against existing prejudices.
Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987.
68
The heroine's name suggests that either Nesbit or Bland had been quick off the mark in digesting the message of Ibsen
Literary responses George Paston
Early reviews praised the novel for its wit and humour, though the Athenæum was condescending about the heroine for being just a little Ibsen ite, a little Woman's Rights, a little emancipationist, but as...
Family and Intimate relationships Henry Handel Richardson
A closer friendship formed in Leipzig was that with a young Scotsman, George Robertson , who was studying for a PhD in German literature. He reawakened Richardson's interest in books and writing, particularly when she...
Publishing Henry Handel Richardson
She apparently began to write for a readership after giving up the aim of a musical career, by producing contributions for an unnamed friend's manuscript magazine. Her first attempt was Christmas in Australia, an...
Textual Production Elizabeth Robins
ER , Marion Lea , and William Archermodified for stage production Edmund Gosse 's translation of Ibsen 's Hedda Gabler (published earlier the same year).
John, Angela V. Elizabeth Robins: Staging a Life, 1862-1952. Routledge, 1995.
55-7
Textual Production Elizabeth Robins
Ibsen and the Actress, ER 's reminiscences of her early acting career, was published by the Hogarth Press .
It was no. 15 of the Hogarth Essays, Second Series.
Woolmer, J. Howard, and Mary E. Gaither. A Checklist of the Hogarth Press, 1917-1946. Woolmer/Brotherson, 1986.
66
Robins, Elizabeth. Ibsen and the Actress. Hogarth Press, 1928.
Occupation Elizabeth Robins
This first, unadapted, public production of the play in England was stirring up controversy, particularly because of its resonance with contemporary debates about marriage and women's rights. The following month Robins took on her first...
Textual Production Elizabeth Robins
ER played an important role, until recently unacknowledged, as collaborator in William Archer 's early translations of Ibsen 's plays, as well as other contributions to the new drama movement.

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