Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
Intertextuality and Influence | Constance Smedley | The Fortunate Shepherds (which brings hill shepherds into contact with Forest of Dean miners) uses the twelve verse-metres used by Spenser
in his Shepheards' Calendar. |
Intertextuality and Influence | Jessie Ellen Cadell | JEC
prefaced her poem with a quatrain of her own (the only original poetry by her which Richard Garnett knew of). Addressing Una (presumably as a character standing, as does Spenser
's personage of that... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes from Spenser
, and the first chapter from Johnson
's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference... |
Intertextuality and Influence | An Collins | AC
writes in many different metres (some unusual, a few somewhat uncertainly used). In a prose address to the Christian Reader Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library, 1961. 1 Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library, 1961. 2 |
Intertextuality and Influence | Alicia D'Anvers | ADA
's immortal Sing-Song / How all th'old Dons were at it Ding-dong D’Anvers, Alicia. The Oxford-Act. Randal Taylor, 1693. 9 |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Katharine S. Macquoid | A Bad Beginning's title-page quotes Spenser
, on the wrongness of binding in love those whom God has not ordained for each other. As every English reader would have expected, the French marriage of... |
Intertextuality and Influence | Isak Dinesen | She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser
's The Faerie Queene: Be bold... |
Intertextuality and Influence | Susannah Dobson | This work abounds in quotations from Lydgate
, Spenser
, Sainte-Palaye
, William Hayley
, and others. It cites the Roman historian Tacitus
in confirmation that the chivalric system was originally Germanic. O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press, 2009. 139 |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Literary responses | Emily Lawless | William Ewart Gladstone
originally took With Essex in Ireland to be an authentic account. Edith Sichel
suggests that it required Homeric naïveté and immense power of belief to take it for a contemporary document, but... |
Literary responses | Sydney Owenson Lady Morgan | Croker
, who again reviewed for the Quarterly, was obviously one of the race of intolerant critics qtd. in Quarterly Review. J. Murray. 25 (1821): 532 |
Occupation | Mary Sidney Herbert Countess of Pembroke | The Countess of Pembroke's patronage was marked by eulogies and dedications (more than thirty) from many writers, including Ben Jonson
, Nicholas Breton
, and Samuel Daniel
. Daniel later told her elder son that... |
Occupation | Lady Anne Clifford |
Timeline
No timeline events available.
Texts
No bibliographical results available.