Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University.
37
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Textual Features | Elizabeth Tollet | The long epistle mentioned on the title-page, a philosophical poem On the Origin of the World, and the two Latin psalms are the works that show most revision since the earlier volume. Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University. 37 |
Literary Setting | Emma Tennant | Her heroine, based on herself aged fifteen onwards, is a red-haired debutante from Scotland, progressing from a seedy finishing school to being launched on the London season, an environment full of seducers and conmen where... |
Occupation | Leah Sumbel | She received rave reviews for this first appearance, as Mrs Cadwallader in The Author (a burlesque portrayal of a woman writer). Later that summer she swashbuckled as Macheath in a famous transvestite production of Gay |
Textual Production | Anna Maria Porter | The first volume had a frontispiece designed by AMP
's brother R. K. Porter
. The epigraph came from the introduction to Gay
's Fables (1727) : From objects most minute and mean, / A... |
Friends, Associates | Alexander Pope | During these few months Pope
, Swift
, Gay
, and others met regularly as a brilliant, informal, all-male club in London for fun, jokes, and literary projects; they called themselves the Scriblerus Club. Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press. |
Performance of text | Alexander Pope | John Gay
, AP
, and John Arbuthnot
's farce Three Hours After Marriage was first staged; it was published anonymously the same month. The London Stage 1660-1800. Southern Illinois University Press. 2: 431 Monthly Catalogue, 1714 - 1717. Bernard Lintot. |
Friends, Associates | Grisell Murray | At almost every stage of GM
's life, her family had the habit of spending part of their time at their London house, where she evidently moved in literary as well as fashionable circles. She... |
Friends, Associates | Lady Mary Wortley Montagu | At this time LMWM
met and established friendships with writers, artists, and people of learning: Pope
, Gay
, Charles Jervas
, and the Venetian philosophe Antonio Conti
. |
Occupation | Lady Mary Wortley Montagu | LMWM
acted as patron to a number of writers (all male so far as is known), most notably Richard Savage
and Henry Fielding
, but also Edward Young
and Samuel Boyse
. Books to which... |
Textual Production | Lady Mary Wortley Montagu | These poems have been linked since first publication with the names of Pope
and Gay
. But there are many reasons to think that the contributions of these two were far smaller than has been... |
Textual Production | Lady Mary Wortley Montagu | These poems were three of the six eclogues (one for each weekday) preserved in the poetry album which Montagu claimed as her own, and printed as Six Town Eclogues in 1747. Monday, the first... |
Textual Production | Helen Mathers | HM
continued after this to keep up a rate of one or two new novels a year (though 1897 and 1899 were fallow years). They include T'other Dear Charmer, 1892 (titled from John Gay |
Intertextuality and Influence | Mary Leapor | To test the waters Freeman selected from among ML
's poems those which were less likely to give offence by their class attitudes. Rizzo, Betty. “Molly Leapor: An Anxiety for Influence”. The Age of Johnson, edited by Paul J. Korshin, Vol. 4 , pp. 313-43. 321-3 |
Textual Production | Mary Latter | The title-page has a quotation from John Gay
about the outspoken integrity of the poet (as contrasted with courtiers). Latter, Mary. Liberty and Interest. James Fletcher. title-page |