qtd. in
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994.
163-4
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Muriel Spark | The story takes place at Geneva in Switzerland (transferred from the Italian scene of the real-llife original), on an estate owned by a Baron Klopstock, among characters of diverse national origins. The protagonist, Lister the... |
Literary responses | Alice Meynell | To many of her contemporaries (especially male contemporaries), AM
symbolised the perfection of Woman and Mother. Many descriptions of her suggest Woolf
's Mrs Ramsay in To the Lighthouse. Coventry Patmore
and Francis Thompson |
Literary responses | Madeleine Lucette Ryley | Critics found Mrs. Grundy quite boring. Max Beerbohm
said in the Saturday Review that most of the characters were conventional stage daubs. The Athenæum maintained that the writing was not the problem, but blamed the... |
Literary responses | George Paston | At the time Max Beerbohm
praised the play in the Saturday Review for its unfeminine willingness to tackle a large subject in serious spirit. qtd. in Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994. 163-4 |
Literary responses | Helen Waddell | The book drew a letter of tribute from Max Beerbohm
. Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973. 162 |
Literary responses | Ouida | Writing in the year of its publication, Max Beerbohm
argued that the reason for the unusually cordial reception qtd. in Twentieth-Century Literary Criticism. Gale Research, 1978–2024, Numerous volumes. 43: 361 |
Literary responses | Ouida | In An Appreciation of Ouida, Street
singled out for praise her genuine and passionate love of beauty . . . and a genuine and passionate hatred of injustice and oppression. Although he noted that... |
Performance of text | Clemence Dane | CD
's stage adaptation of Max Beerbohm
's The Happy Hypocrite was first performed at His Majesty's Theatre
, London. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. 10: 133 |
politics | Christabel Pankhurst | But word about their plan got out. Summoned to appear before the authorities, they turned themselves in at precisely the moment that the protest was to start. Other suffragettes duly demonstrated in their absence. The... |
Publishing | Ada Leverson | AL
's A Few Words with Mr. Max Beerbohm appeared in The Sketch. Burkhart, Charles. Ada Leverson. Twayne, 1973. 71, 157-8 |
Reception | Ouida | Three essays appeared, all by male critics, commending Ouida
's novels: by G. S. Street
in The Yellow Book, Stephen Crane
in Book Buyer, and Max Beerbohm
in the Saturday Review. Twentieth-Century Literary Criticism. Gale Research, 1978–2024, Numerous volumes. 43: 360, 361 |
Textual Features | Muriel Spark | This novel, another treatment of suffering which looks back to the book of Job, Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson, 2009. 514 |
Textual Features | Christina Rossetti | Among the other poems were a number that dealt with illicit sexuality. Cousin Kate uses ballad metre to explore the sexual double standard and lack of female solidarity. The speaker, a humble cottager seduced by... |
Textual Production | Muriel Jaeger | The title alludes to a Max Beerbohm
cartoon in which the twisted, harrowed figure of a twentieth-century man gazes at a question-mark representing the future. Stratton, Susan. “Muriel Jaegers The Question Mark, a Response to Bellamy and Wells”. Foundation, No. 80, 1 Sept.–30 Nov. 2000, pp. 62-9. 68 |
Textual Production | Iris Tree | IT
contributed a short memoir on her father to Max Beerbohm
's biography of him, Herbert Beerbohm Tree: Some Memories of Him and of His Art. |
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