Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press.
221-2
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Theme or Topic Treated in Text | Emily Jane Pfeiffer | The 1888 edition features a sonnet written for Shelley
, as well as one written on 29 December 1880 for George Eliot
(a week following her death), entitled The Lost Light. Pfeiffer, Emily Jane. Sonnets and Songs (1880). Editors Fife, Cody and Terence Allan Hoagwood, Scholars’ Facsimiles and Reprints. 19, 11 |
Textual Production | Winifred Peck | WP
published a novel, Veiled Destinies, titled from a phrase in Shelley
's Adonais (his lament for the death of Keats
). Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2410 (10 April 1948): 201 |
Dedications | Bessie Rayner Parkes | BRP
published the long philosophical and historical poem Gabriel, dedicated to the memory of Percy Bysshe Shelley
. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research. 240: 186 |
Education | Bessie Rayner Parkes | BRP
taught herself to read. By the age of seven she had completed all of Scott
's novels. Crawford, Anne, editor. The Europa Biographical Dictionary of British Women. Europa Publications. Lowndes, Marie Belloc. I, Too, Have Lived in Arcadia. Macmillan. 265 Lowndes, Marie Belloc. I, Too, Have Lived in Arcadia. Macmillan. 265 |
Reception | Bessie Rayner Parkes | Remembered mostly for her prose contributions to the early feminist movement, BRP
also produced poetic creations which deserve not to be dismissed. (Her daughter credits her with admiring the poetry of Percy Shelley
and more... |
Publishing | Amelia Opie | AO
wrote this novel in order to grapple with the events of 1794, a year which saw the end of the Terror in France, but at home the suspension of Habeas Corpus and the treason... |
Literary responses | Amelia Opie | The Critical Review, which had praised AO
's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson
's Clarissa or... |
Education | Carola Oman | When CO
was eight her father took her on a first visit to the Bodleian Library
; she came home and asked for a bookcase for her next birthday. At this age she worshippedShelley |
Family and Intimate relationships | Tillie Olsen | Tillie Lerner's instructor and inspiration in political radicalism, Eugene Konecky
, was also interested in erotic relations with young girls. Reid, Panthea. Tillie Olsen: One Woman, Many Riddles. Rutgers University Press. 37, 41 |
Theme or Topic Treated in Text | Eliza Ogilvy | The End of 1854 exemplifies EO
's political awareness ('Twas a soldier year / We are burying here), Ogilvy, Eliza. Poems of Ten Years. Thomas Bosworth. 301 |
Textual Production | Kate O'Brien | KOB
explores the topic of a lesbian relationship in As Music and Splendour, her last novel, whose title quotation (from a lyric by Percy Bysshe Shelley
) implies that the relationship will not be... |
Textual Production | Kathleen Nott | KN
published The Good Want Power. An essay in the psychological possibilities of liberalism, titled from a pronouncement of Percy Bysshe Shelley
which continues: the powerful goodness want. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 60049 (7 July 1977): 19 |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
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