Muir, Willa. Belonging. Hogarth Press, 1968.
262
Connections Sort descending | Author name | Excerpt |
---|---|---|
Residence | Willa Muir | The Muirs' stay in Italy ended abruptly and sooner than they would have liked when the British government withdrew its funding to the British Council
for European branches of the British Institute
. Muir, Willa. Belonging. Hogarth Press, 1968. 262 |
Textual Features | Deborah Levy | The British Council
website on writers points out that despite its slangy style and up-to-the-minute references (contemporary, bathetic and very funny), this work has its structural roots in medieval poetic dialogues, in the... |
Textual Features | A. S. Byatt | |
Textual Production | Michelene Wandor | Meanwhile in 1993 MW
produced for the British Council
a slim volume entitled Drama Today: A Critical Guide to British Drama, 1970-1990. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Pamela Hansford Johnson | In late 1951 she wrote a booklet for the British CouncilWriters and their Work series on Ivy Compton-Burnett
, who was only just beginning to attract attention among those interested in the craft of... |
Textual Production | Margaret Drabble | She had met Wilson, a fellow-novelist, on a British Council
visit to Wales, and had come to know him as well as to admire his writing. Hattersley, Roy. “The Darling of Hampstead”. The Guardian, 26 June 1999, pp. 6-7. 7 |
Textual Production | Helen Dunmore | |
Textual Production | Bernardine Evaristo | BE
and Maggie Gee
jointly edited NW15: The Anthology of New Writing Volume 15 (in a series whose titles have seen several changes), published through Granta
and the British Council
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Carol Rumens | Her author statement for the British Council
website says that poetry is a conversation—with my parents, with myself, with the living, with the dead, with friends, with strangers, and perhaps with words themselves. qtd. in British Council Film and Literature Department, in association with Book Trust. Contemporary Writers in the UK. http://www.contemporarywriters.com. |
Textual Production | Fleur Adcock | She appeared with six other poets in Portfolio no. 3 from London's Steam Press
in 1979 (an actual portfolio of separate leaves, published in fifty signed and numbered copies, in a black cover with illustrations... |
Textual Production | Kathleen Raine | She followed it with a brief study of Coleridge done for the British Council
in 1953 (one of the Bibliographical Supplements to British Book News), and with a critical Introduction to his selected Poems... |
Textual Production | Kathleen Raine | The book was published for the British Council
and the National Book League
. There were later a number of revised editions. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983. 20: 288 |
Textual Production | Elizabeth Bowen | EB
published English Novelists, one in a series of literary guides issued by the British Council
. Sellery, J’nan M., and William O. Harris. Elizabeth Bowen: A Bibliography. University of Texas, 1981. 50 |
Textual Production | Maggie Gee | MG
thanks many individuals and institutions (including the British Council
) for enabling her to amass considerable first-hand experience of Uganda in order to write this book. She contributed an article, A different view... |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
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