Faber and Faber

Connections

Connections Sort ascending Author name Excerpt
Publishing George Orwell
GO completed his well-known satirical fable, Animal Farm, which was rejected for publication by Gollancz , Cape , Collins , and Faber (in the person of T. S. Eliot ).
Meyers, Jeffrey. A Reader’s Guide to George Orwell. Littlefield, Adams.
41
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Publishing Alison Uttley
The Farm on the Hill brought AU a thirty-pound advance from Faber . At a price of seven and sixpence, it sold 1,300 copies by the autumn.
Judd, Denis. Alison Uttley. Michael Joseph.
172-3
Publishing George Orwell
He published the book with Gollancz after it was rejected by Cape and Faber . He chose his pseudonym from a list of names including P. S. Burton, Kenneth Miles, and H. Leis Allways. He...
Publishing Alison Uttley
At the end of that year, Faber rejected The Secret Spring, as did another publisher in February 1933. AU then wrote off that project, since she had plenty more on hand.
Judd, Denis. Alison Uttley. Michael Joseph.
124
When Cuckoo...
Publishing Philip Larkin
PL 's second novel, A Girl in Winter, appeared, having been placed by his agent, A. P. Watt , with Faber and Faber . It sold 5,000 copies in the year of its publication...
Publishing Anne Ridler
AR 's first volume published with Faber & Faber benefited from the patronage of her former bosses there. T. S. Eliot recommended its publication,
Ridler, Anne. “Working for T.S. Eliot: A Personal Reminiscence”. Poetry Review, Vol.
73
, No. 1, pp. 46-9.
49
and the first edition appeared on expensive hand-made paper, which...
Publishing Maggie Gee
She meant this book to be a saga of English working-class life in the twentieth century, based on her own family, but found she was writing about the horrors of factory farming. Writing at a...
Publishing Philip Larkin
PL 's The Whitsun Weddings, his first poetry publication with Faber and Faber , resulted from an invitation from Charles Monteith of that company, issued years earlier after he had read Church Going in The Spectator.
Larkin, Philip. Collected Poems. Editor Thwaite, Anthony, Faber and Faber; the Marvell Press.
77
Brennan, Maeve. The Philip Larkin I Knew. Manchester University Press.
7
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Publishing Elizabeth Robins
The book was rejected by several publishers before Heinemann took it on.
John, Angela V. Elizabeth Robins: Staging a Life, 1862-1952. Routledge.
232
One of those who rejected it in an earlier form was the Hogarth Press , probably because it turned out too long...
Publishing Maggie Gee
This time Faber paid her £10,000, but they did not come up to their magnificent plans for handling the paperback. About now MG left her agent for a younger one, a woman.
Gee, Maggie. My Animal Life. Telegram Books.
152-3
Publishing Alison Uttley
From the time she moved south, her output was staggering. Between 1942 and 1945, she published fifteen prose books and a play, as well as placing articles and making broadcasts. In autumn 1944, she began...
Publishing Philip Larkin
The book went through many stages and revisions before publication: the first draft had been finished in February 1944.
Motion, Andrew. Philip Larkin: A Writer’s Life. Faber and Faber.
154
A related draft and stories survive, but no complete manuscript. Larkin wrote that he was...
Publishing Lucy Boston
LB was already a passionate painter when she turned to writing, infused with enthusiasm by the house she had bought. The manor gave her the inspiration for her books, and she has said that All...
Publishing Elizabeth Ham
It appeared in a version which is only about half as long as the original. Eric Gillett , the editor, compressed the book by fifty thousand words, partly because of wartime paper shortage, but partly...
Publishing Alison Uttley
This book caused AU much anguish in writing. She took the idea from the Babington ancestral home at Dethick, close to her childhood home of Castle Top Farm, and from a dream she...

Timeline

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Texts

James, P. D. Death of an Expert Witness. Faber and Faber, 1977.
James, P. D. Devices and Desires. Faber and Faber, 1989.
James, P. D. Innocent Blood. Faber and Faber, 1980.
James, P. D. Original Sin. Faber and Faber, 1994.
James, P. D. Shroud for a Nightingale. Faber and Faber, 1971.
James, P. D. The Black Tower. Faber and Faber, 1975.
James, P. D. The Children of Men. Faber and Faber, 1992.
James, P. D. The Private Patient. Faber and Faber, 2008.
James, P. D. The Skull beneath the Skin. Faber and Faber, 1982.
James, P. D. Time to Be in Earnest. Faber and Faber, 1999.
James, P. D. Unnatural Causes. Faber and Faber, 1967.
Jellicoe, Ann. “Ann Jellicoe Talks to Sue Todd”. The Knack and The Sport of My Mad Mother, Faber and Faber, 1985, pp. 9-23.
Jellicoe, Ann. Shelley. Faber and Faber, 1966.
Jellicoe, Ann. The Giveaway. Faber and Faber, 1970.
Jellicoe, Ann. “The Knack”. The Knack and The Sport of My Mad Mother, Faber and Faber, 1985, pp. 25-98.
Jellicoe, Ann, and London Observer. “The Sport of My Mad Mother”. The Observer Plays, Faber and Faber, 1958.
Jellicoe, Ann. “The Sport of My Mad Mother”. The Knack and The Sport of My Mad Mother, Faber and Faber, 1985, pp. 99-168.
Johns, Derek. Ariel. A Literary Life of Jan Morris. Faber and Faber, 2016.
Joyce, James. Finnegans Wake. Faber and Faber, 1939.
Keegan, Claire. Foster. Faber and Faber, 2010.
La Tourette, Aileen. “Passing”. Mae West Is Dead: Recent Lesbian and Gay Fiction, edited by Adam Mars-Jones, Faber and Faber, 1983, pp. 178-81.
Larkin, Philip. A Girl in Winter. Faber and Faber, 1947.
Larkin, Philip. All What Jazz: a record diary 1961-68. Faber and Faber, 1970.
Larkin, Philip. High Windows. Faber and Faber, 1974.
Larkin, Philip. Required Writing: miscellaneous pieces, 1955-1982. Faber and Faber, 1983.