Samuel Robinson

Connections

Connections Author name Sort descending Excerpt
Textual Production Sophia Lee
It occupied six volumes, published with Robinson . It was, she says, the first of all her works to be written, although almost the last to appear.
Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii.
xxvi-xxvii
Textual Production Catharine Macaulay
CM published with Robinson a progessive theological work entitled A Treatise on the Immutability of Moral Truth.
Critical Review. W. Simpkin and R. Marshall.
56 (1783): 348
Family and Intimate relationships Anna Maria Mackenzie
The widowed Anna Maria Cox (later Mackenzie) had married her second husband, whose name was Johnson; she received payment from the publisher G. G. J. and J. Robinson on this date as Anna Maria Johnson...
Textual Production Anna Maria Mackenzie
The future AMM , now Mrs Johnson, published her third novel, Retribution, as by the Author of The Gamesters, through another publisher new for her, G. G. J. and J. Robinson .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 444
Textual Production Anna Maria Mackenzie
AMM returned to the epistolary form for her next novel, Slavery: or, The Times, published by Robinson as by the author of Monmouth and The Danish Massacre, and neither advertised nor reviewed until...
Publishing Sarah Pearson
Its publisher, G. G. and J. Robinson , paid SP twenty-five guineas for the copyright of this novel on 4 January 1794. John Watkins and Frederic Shoberl ascribed it (and her first volume of poetry)...
Textual Production Ann Radcliffe
AR published through Robinson her best-known gothic novel, The Mysteries of Udolpho, which netted her £500.
Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press.
93
Critical Review. W. Simpkin and R. Marshall.
2d ser. 11 (1794): 361
Publishing Ann Radcliffe
It had been advertised in the London Chronicle on 22-4 April.
Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press.
93
The day after it appeared AR 's previous publisher, Hookham , issued a whole clutch of related works: new editions of her first...
Textual Production Ann Radcliffe
The full title is A Journey made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return down the Rhine. To which are added Observations during a...
Publishing Clara Reeve
This work represents the genre of enlightenment gothic in Gary Kelly 's 6-volume Pickering and Chatto edited collection Varieties of Female Gothic, 2001.
Kelly, Gary, editor. Varieties of Female Gothic. Pickering and Chatto.
Reeve issued it for the author (that is at her own...
Publishing Susanna Haswell Rowson
She dedicated it to a baronet's wife, Lady Cockburn . Since Robinson (who had not published her previous novel) had paid her thirty pounds as long ago as March 1783, it seems that this must...
Textual Production Anna Seward
AS , by now known as a published poet, printed through Robinson a Poem to the Memory of Lady Millar [sic], who had died the previous June after offering her early encouragement.
Critical Review. W. Simpkin and R. Marshall.
53 (1782): 230
Textual Production Charlotte Smith
CS dated the preface (an innovation for her) to Desmond: A Novel, published through G. G. J. and J. Robinson , the first of her works to be titled with a man's name.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 574
Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan.
140, 142
Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press.
xxiii
Publishing Charlotte Smith
Her publisher, Cadell , paid her more than £260 for this novel, which she dedicated to minor royalty in the person of the Duchess of Cumberland .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 485
She had attempted negotiation, instead of...
Publishing Charlotte Smith
Her former publisher, the firm of Cadell , was just passing to a new generation. Both Thomas Cadells , father and son , and William Davies (partner of the latter) found Desmond too revolutionary: it...

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