Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii.
xxvi-xxvii
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Sophia Lee | It occupied six volumes, published with Robinson
. It was, she says, the first of all her works to be written, although almost the last to appear. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii. xxvi-xxvii |
Textual Production | Catharine Macaulay | |
Family and Intimate relationships | Anna Maria Mackenzie | The widowed Anna Maria Cox (later Mackenzie)
had married her second husband, whose name was Johnson; she received payment from the publisher G. G. J. and J. Robinson
on this date as Anna Maria Johnson... |
Textual Production | Anna Maria Mackenzie | The future AMM
, now Mrs Johnson, published her third novel, Retribution, as by the Author of The Gamesters, through another publisher new for her, G. G. J. and J. Robinson
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 444 |
Textual Production | Anna Maria Mackenzie | |
Publishing | Sarah Pearson | Its publisher, G. G. and J. Robinson
, paid SP
twenty-five guineas for the copyright of this novel on 4 January 1794. John Watkins and Frederic Shoberl ascribed it (and her first volume of poetry)... |
Textual Production | Ann Radcliffe | |
Publishing | Ann Radcliffe | |
Textual Production | Ann Radcliffe | The full title is A Journey made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return down the Rhine. To which are added Observations during a... |
Publishing | Clara Reeve | This work represents the genre of enlightenment gothic in Gary Kelly
's 6-volume Pickering and Chatto
edited collection Varieties of Female Gothic, 2001. Kelly, Gary, editor. Varieties of Female Gothic. Pickering and Chatto. |
Publishing | Susanna Haswell Rowson | She dedicated it to a baronet's wife, Lady Cockburn
. Since Robinson
(who had not published her previous novel) had paid her thirty pounds as long ago as March 1783, it seems that this must... |
Textual Production | Anna Seward | |
Textual Production | Charlotte Smith | CS
dated the preface (an innovation for her) to Desmond: A Novel, published through G. G. J. and J. Robinson
, the first of her works to be titled with a man's name. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 574 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 140, 142 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press. xxiii |
Publishing | Charlotte Smith | Her publisher, Cadell
, paid her more than £260 for this novel, which she dedicated to minor royalty in the person of the Duchess of Cumberland
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 485 |
Publishing | Charlotte Smith | Her former publisher, the firm of Cadell
, was just passing to a new generation. Both Thomas Cadells
, father and son
, and William Davies (partner of the latter) found Desmond too revolutionary: it... |
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