Institute of Contemporary Arts

Connections

Connections Sort descending Author name Excerpt
Employer Zadie Smith
As an undergraduate ZS already hoped one day to make her living through the noble art of literature. Though she felt compelled to disguise her ambition with a joke, it came true with remarkable speed...
Performance of text Louise Page
Want-Ad, about LP 's eighth play to be written, was the first to be heard in public, at a Royal Court Theatre reading. It was staged by Birmingham Arts Lab in 1977 and at...
Performance of text Louise Page
This was also performed in July the same year at the Institute of Contemporary Arts in London, and was adapted for broadcast on BBC Radio 4 on 23 November 1978 (after some thought of...
Textual Production Kathleen Nott
In December 1953 KN lectured at the Institute of Contemporary Arts on The New Philistinism.
“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
52815 (29 December 1953): 7
In 1954 she did a good deal of broadcasting. For instance, she gave a...
Textual Production Maud Sulter
Art by MS appeared in an exhibition entitled The Thin Black Line, at the Institute of Contemporary Arts in London.
Sulter, Maud. “Maud Sulter”. The Thin Black Line, edited by Lubaina Himid, Institute of Contemporary Arts.
Textual Production Michelene Wandor
The following year a stage adaptation by Wandor herself was given at the Institute of Contemporary Arts .
Michelene Wandor. http://www.mwandor.co.uk/.

Timeline

Early 1975: Gay Sweatshop Theatre Company was founded...

Building item

Early 1975

Gay Sweatshop Theatre Company was founded as a result of plans by a London co-operative community arts resource centre, Inter-Action , for a season of gay plays to follow their successful women's season.

Texts

Sulter, Maud. “Maud Sulter”. The Thin Black Line, edited by Lubaina Himid, Institute of Contemporary Arts, 1985.