BBC

Connections

Connections Author name Sort descending Excerpt
Textual Production Cicely Hamilton
Her radio broadcast for the BBC on 2 April 1943, marking the twenty-fifth anniversary of women's suffrage, was another memorable speech.
Occupation Mary Agnes Hamilton
MAH served as a Governor of the British Broadcasting Corporation .
She writes first that notice of the appointment came in December 1932, but twice later that she served from 1 January 1932.
Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape.
280, 288, 295
Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape.
280, 288, 295
Textual Production Mary Agnes Hamilton
MAH presented for the BBC the first broadcast of A Week in Westminster, a radio programme designed by Hilda Matheson to educate the electorate (especially the newly-enfranchised female part of it) about politics.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
“Women’s History Timeline”. BBC: Radio 4: Woman’s Hour.
Reception Mary Agnes Hamilton
The Times Literary Supplement judged the original to be a singularly interesting book—written by a German for Germans in the shadow of the First World War—and that Hamilton's translation was of exceptional excellence.
Stannard, Harold Martin. “A German on England”. Times Literary Supplement, No. 1466, p. 175.
175
She...
Theme or Topic Treated in Text Mary Agnes Hamilton
Although she writes that [a]ccounts of childhood I do not care for. My memory of my own is bad,
Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape.
7
MAH gives a long, evocative first chapter to her parents and her childhood. She adds...
Occupation Irene Handl
She was still working in the last year of her life, when she played another spiritualist medium role in Never Say Day, which was shown on BBC Channel Four.
Textual Production Irene Handl
These were IR's only books. She also wrote for radio and contributed the introduction to The Listening Corner Storybook, published for the BBC in 1985.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Textual Production Frances Ridley Havergal
The most common theme of FRH 's poetry and hymns is an unswerving devotion to God, whom she generally refers to as The King or The Master. Her most popular hymns include Take My...
Occupation Selima Hill
SH ran adventure playgrounds, an Adult Education Centre creche, and a children's rights workshop. She worked for the National Childbirth Trust , and also spent some time working in bookshops. In 1991, she held a...
Textual Production Selima Hill
SH reviews books of poetry. She contributed the introduction to Helen Armstrong 's Sean's House: Poems by Writers from Selima Hill's Exeter Writing Groups, Exeter 1996. In 1990 she edited Jumping Over Trees: Poems...
Textual Production Susan Hill
SH had already broadcast ten plays by the time the BBC published The Cold Country, and Other Plays for Radio, a collection of five of these pieces.
British Books in Print. J. Whitaker and Sons.
1976
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Publishing Susan Hill
SH 's volume of autobiographical sketches, The Magic Apple Tree: A Country Year, was published with engravings by John Lawrence . In May the BBC ran a 20-minute film about it on their Omnibus...
Textual Production Susan Hill
SH began reviewing books for Time and Tide as an undergraduate. After taking her degree she spent five years as book-review editor for the Coventry Evening Telegraph before returning to fiction. By the mid-1960s she...
Textual Production Susan Hill
It was adapted as a BBC radio play and re-titled as Miss Lavender is Dead, in 1970.
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
14
Employer Frances Horovitz
At the BBC and Open UniversityFH established herself as one of the most accomplished readers of contemporary poetry. As Frances Hooker , she read for the BBC's Third Programme (which, with a few shifts...

Texts

No bibliographical results available.