Roman Catholic Church

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Textual Features Lucas Malet
The wife, Jessie Enderby, is much younger than the middle-aged colonel. She is presented (by a male narrator who sees himself as a social historian and social critic) not as the passive victim of a...
Textual Features Susan Smythies
SS 's modesty was well founded. The novel that follows is a more conventional romance than any of Richardson 's, though it makes much reference to Sir Charles Grandison, and also cites Pamela (though...
Textual Features Charlotte Mary Brame
After these revelations the earl dies, leaving Laurie the bulk of his estate. Treated cruelly by her newly-discovered aunt and cousins because her appearance has dispossessed them of expected inheritance, Laurie finds some comfort in...
Textual Features Evelyn Underhill
The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . ....
Textual Features John Betjeman
Critic Ian Sansom notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),...
Textual Features Georgiana Fullerton
In Mrs. Gerald's Niece Margaret, the heroine of Grantley Manor, is now Mrs Walter Sydney and is thirty-seven. The new novel engages with the Oxford Movement , detailing the doctrinal progression of Ita and...
Textual Features Lucas Malet
The title is ironical, for LM argues that women's incursions into the masculine sphere threaten them with subjection, while personal and family relations set their talents free. She appeals here to the authority of the...
Textual Features Sylvia Townsend Warner
The letters provide a detailed account of the thirty-nine-year love affair between STW and Ackland . The pair wrote letters to each other whether they were apart or together, and the result is an intimate...
Textual Features Catharine Trotter
It records the thinking that led her to return from the Roman Catholic Church to the Church of England . CT uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions.
Textual Features Georgiana Fullerton
GF is still struggling here with the relative merits of fiction and biography. Her preface puts forward the idea that when a biography is able to present its readers with a reflection of their own...
Textual Features Michèle Roberts
Her protagonist, Josephine, is as a child deeply impressed by two sights on the same day: a fat lady, gaudily dressed, daringly walking a tightrope, and a burning of heretics by the Inquisition. Josephine identifies...
Textual Features C. E. Plumptre
Plumptre explains her choice of subject matter by admitting that she feels a peculiar sympathy with those humbler seekers after truth—too great to be content with the ephemeral pleasures of the hour, not great enough...
Textual Features May Crommelin
The book is headed with romantic lines from Thomas Davies [sic] about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy.
Crommelin, May. Orange Lily. Ullans Press.
1
The next epigraph comes from Burns
Textual Features Julia O'Faolain
The Italian protagonist, Carla Verdi, lives in a suburb of Los Angeles with her thirteen-year-old son, while her husband is temporarily absent in Italy. The novel builds up the daily texture of her life, her...
Textual Features Monica Furlong
MF 's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican , Roman Catholic

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