John Murray

LDG began work on her next translation, Narratives of Remarkable Criminal Trials, in August 1845, shortly after the death of her infant son. There was a tremendous amount of work involved in condensing the...

She used the firm of John Murray , who remained her regular publisher until 1912. Biographer Sarah Lefanu believes that she worked off in this novel some of her turbulent emotions about the close...

The firm of John Murray declined to publish Frankenstein or Modern Prometheus, which had been offered to them through H[orace] (or Horatio) Smith , a close friend of Percy Bysshe Shelley , the author 's husband.

Publisher John Murray rejected the manuscript, but it was soon accepted by Longmans , with an agreement that gave the author and her husband half the profits after publishing expenses were covered. Longmans then delayed...

This was her last novel published by John Murray .

Thinking of her father's years of hoping and struggling to publish his novels, DM said she felt her life had been chosen as the medium through which all the strivings of generations of scribbling Murphys...

CADS was bitterly disappointed when both Heinemann and John Murray rejected her Elizabethan novel, Ulalia; it remained unpublished, but she always considered it one of her best works.

RM 's previous publisher, John MurrayJohn Murray , was astonished to learn of her win: she had not submitted the manuscript to him. However, he wrote her a congratulatory note, which he concluded: If at any...

FS published, with John Murray , East is West. In the United StatesAlfred A. Knopf published this book as The Arab Island: The Middle East, 1939-1943.

CN 's poem A Voice from the Factories was accepted for publication by John Murray ; it appeared anonymously that year.

She translated many works, though her nephew Charles Eastlake Smith wrongly credits her with Franz Kugler 's Handbook of Painting: The Schools of Painting in Italy (two volumes, 1851), which her husband edited. Most library...

Murray paid her £70 for the copyright.

In about 1822 HW composed a work she called Sketches in the Round Room at the Opera House (a kind of dry run for her Memoirs), which depicts her former lovers under disguised names:...

JA wrote of this novel, I can no more forget it, than a mother can forget her sucking child. She published it as a Lady: the only one issued this way, since later...

The book's many illustrations were by her own hand. Publisher John Murray paid her £100 for the copyright. A second edition appeared with the title Letters from the Shores of the Baltic. This text...