Carter, Angela. “Notes from the Front Line”. On Gender and Writing, edited by Michelene Wandor, Pandora Press, pp. 69-77.
72
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Angela Carter | In mid-career AC
said she had worked mainly with women as her publishers' editors. Shared gender makes a difference in this relationship, she wrote, even if the reader has zero feminist consciousness. Carter, Angela. “Notes from the Front Line”. On Gender and Writing, edited by Michelene Wandor, Pandora Press, pp. 69-77. 72 |
Publishing | Margaret Cavendish | She had begun work on this book before leaving for England in November 1651. Grant, Douglas. Margaret the First: A Biography of Margaret Cavendish, Duchess of Newcastle, 1623-1673. Rupert Hart-Davis. 108, 140 Grant, Douglas. Margaret the First: A Biography of Margaret Cavendish, Duchess of Newcastle, 1623-1673. Rupert Hart-Davis. 142 |
Leisure and Society | Lady Jane Cavendish | Someone addressed a poem of compliment to the child LJC
(now Harleian MS 4955, ff, 86-7 in the British Library
). Millman, Jill Seal, and Gillian Wright, editors. Early Modern Women’s Manuscript Poetry. Manchester University Press. 88 |
Publishing | Mary Chandler | She dedicated it to her doctor brother John
, saying it was you first gave me Courage to appear abroad— Shuttleton, David. “’All Passion Extinguish’d’: The Case of Mary Chandler, 1687-1745”. Women’s Poetry in the Enlightenment: The Making of a Canon, 1730-1820, edited by Isobel Armstrong and Virginia Blain, St Martin’s Press, pp. 33-49. 36 |
Textual Production | Mary Chandler | The British Library
copy is 11630 h. 7. This edition was inscribed to Princess Amelia
(one of George II
's daughters, who had twice visited Bath). Chandler, Mary. A Description of Bath. James Leake. title-page |
Textual Production | Laura Ormiston Chant | LOC
published Sellcuts' Manager, her only novel. The British Library
catalogues this work as Sellcuts's Manager and the Bodleian
as Sellcut's Manager. The Academy. 1430 (1899): 336 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Laura Ormiston Chant | A prolific poet throughout her career, LOC
also wrote songs and composed music for them. The British Library
attributes the following (along with a number of other poetic and musical works) to Chant in its... |
Textual Production | Hester Mulso Chapone | HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney |
Textual Production | Sarah Chapone | Both Mary Pendarves (later Mary Delany)
and John Wesley
had read this remarkable work in manuscript the previous year. (Wesley had been reading her writing with enjoyment since at least April 1733.) Glover, Susan Paterson, and Sarah Chapone. “Introduction”. The Hardships of the English Laws, Routledge, pp. 1-16. 11 |
Textual Production | Sarah Chapone | It was printed by Samuel Richardson
. The British Library
copy is T 1568 (7). The month after publication SC
wrote to Richardson
to express concern that he had identified her as the author: I... |
Textual Production | Mary Charlton | This novel was advertised as soon to be published in July (at which date the title was to be Laure; or, The Parisian), and as recently published on 30 October. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1 |
Publishing | Georgiana Chatterton | Many of GC
's last works were privately printed. According to the original Dictionary of National Biography, she first used this means of publication for Quagmire Ahead, 1864, then for A Plea for... |
Textual Production | Mary Cholmondeley | Letters and other papers of MC
's survive in the British Library
, the Bodleian Library
, and Cheshire and Chester Archives and Local Studies Service
. Many of her works have become available in... |
Publishing | Christine de Pisan | Both the Bibliothèque Nationale
in Paris and the British Library
in London have important manuscripts of works by Christine de Pisan
, many of them beautifully illuminated. Those at the British Library, including the Queen's... |
Textual Production | Caryl Churchill | CC
's unpublished manuscripts are held at the University of Bristol
(Women's Theatre Archive, Department of Drama). The National Sound Archive
at the British Library
holds tape recordings of stage and radio plays. Radio play... |
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