Sappho

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Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho , the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.

Connections

Connections Sort descending Author name Excerpt
Textual Features Rosamund Marriott Watson
Her introduction demonstrates a good knowledge of ancient Greek poetry and its publication history. In addition to selections by Plato and Theocritus , the book includes single poems by Sappho and Erinna .
Watson, Rosamund Marriott, editor. Selections from the Greek Anthology. W. Scott.
xi-xii
Textual Features Frances Burney
The Woman-Hater again features Lady Smatter. This time she drops nearly five times as many authors' names as in The Witlings; only one, Sappho , is that of a woman.
Textual Features Anne Wharton
AW 's To Mrs. A. Behn likens her to Sappho .
Textual Features Mary Robinson
MR 's preface quotes that of Charlotte Smith to her Elegiac Sonnets.
Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64.
45
She presents her own work as one of scholarship, explaining that by legitimate in her title she means the sonnet in...
Textual Features Jeanette Winterson
The novel's three apparently unconnected characters are breast surgeon Handel (erstwhile boy chorister, castrato, and Catholic priest; not the same as yet reminiscent of George Frederick Handel ), Picasso (a young woman whose family opposes...
Textual Features L. E. L.
LEL's poetic persona in her title poem is deeply indebted to Germaine de Staël 's highly influential Corinne (1807), which depicts the contemporary woman artist as a spontaneous performer of verse to her own musical...
Textual Features Ann Yearsley
In the added lines AY modifies her original opinion that true friendship is impossible if the friends are not equals in rank. In the last of these poems (a complex discussion of the issue of...
Textual Features Natalie Clifford Barney
In L'amour défenduNCB defends the proposition that only love is important, not the sex to whom it is directed.
Barney, Natalie Clifford, and Karla Jay. A Perilous Advantage: The Best of Natalie Clifford Barney. Translator Anna Livia, New Victoria Publishers.
85
She argues that every person possesses both masculine and feminine principles: We should not...
Textual Features L. E. L.
However, LEL's version of the narratives of her female precursors presents a complex layering of voices framed by that of her Florentine improvisatrice. Even though the speaker has poured [her] full and burning heart /...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Production Anne Carson
AC 's translations from Greek manage to incorporate some of the quirkiness of her original texts and titles. She titled If Not, Winter. Fragments of Sappho, 2002, from a poetic scrap that leaves the...
Textual Production Elizabeth Singer Rowe
Jane Turell of Massachusetts (a generation younger than ESR , the daughter of her old admirer Benjamin Colman ) emulated Rowe so single-mindedly that Melanie Bigold feels she became a kind of American Rowe. She...
Textual Production Sarah Lewis
The American Sarah Lewis published her play Sappho , A Tragedy in Five Acts (which was reviewed in England and France, as well as the United States).
At least two sources, American Women...
Textual Production Catherine Carswell
Few of CC 's poems survive, but in 1916 she was regularly sending poetry to Lawrence for critique. She was clearly choosing bleak material: his comments use the word stark three times in two sentences...
Textual Production Arabella Shore
It reprints some old and presents some new work, including a version of the popular Last Song of Sappho. Death and Immortality, the lead piece in the collection, was the last she had...

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