Margaret Drabble

Standard Name: Drabble, Margaret
Birth Name: Margaret Drabble
Nickname: Maggie
Married Name: Margaret Swift
Married Name: Margaret Holroyd
Titled: Dame Margaret Holroyd
MD is a prolific, resourceful, and often surprising novelist and short-story writer, with a high reputation as a literary historian and critic. She is still widely identified with one of her early styles: the kitchen-sink realist depictions of highly-educated young women enmeshed in wifehood and motherhood. She has become an ambitious chronicler of the rising lifestyle and expectations of the late-twentieth-century professional classes; but also she is a persistent experimenter with techniques of allusion, symbolism, and contradiction of realist expectations.
Photo of Margaret Drabble signing a book at Beverley Bookfest in Yorkshire on 15 October 2011. She wears a white cardigan over black, a necklace, and glasses.

Connections

Connections Author name Excerpt
Literary responses Margaret Forster
In a National Women's Register poll of members to determine the best woman writer of the twentieth century, MF came third with twenty-one votes, just behind Margaret Atwood with twenty-five and just ahead of Enid Blyton
Reception Rumer Godden
Reviewers enthused over RG 's narrative style. The book was short-listed for the Booker Prize; Margaret Drabble (biographer of Angus Wilson , who chaired the judges) suggests that Wilson wanted it to win.
Chisholm, Anne. Rumer Godden, A Storyteller’s Life. Pan Books.
287
Literary responses Irene Handl
Almost all responses to this novel quoted on the cover of its 1985 reprint use somewhere the word original. The Sioux was welcomed at its first appearance by Noel Coward and by Daphne du Maurier
Textual Production Susan Hill
SH edited People: Essays & Poems, issued to benefit Oxfam . Contributors (including Iris Murdoch , Margaret Drabble , Anne Ridler , and Elizabeth Longford ) were invited to write about someone influential in their life.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Hill, Susan, editor. People: Essays & Poems. Chatto and Windus.
prelims
Friends, Associates Elizabeth Jennings
She had a remarkably catholic talent for friendship. During her student days she became a friend of Philip Larkin and Kingsley Amis . Her correspondents at this and later periods of her life included her...
Intertextuality and Influence Ursula K. Le Guin
Science Fiction and Mrs Brown opens with a long quotation in which Woolf relates how she observed this shabby, immaculate old lady on a train from Richmond to London, and saw her as the character...
Literary responses Rosamond Lehmann
Auberon Waugh likened A Sea-Grape Tree to pulp romance, The Times thought it unintentionally absurd, and Lorna Sage called the main characters paper people. Thoughtful and positive comments from Elizabeth Jane Howard
Literary responses Doris Lessing
The Guardian marked the book's fiftieth anniversary in 2012 with reflections on it by women of four generations. Diana Athill (born in 1917) says she took against it on its first appearance; she found it...
Textual Production Wyndham Lewis
Margaret Drabble notes that in this text Woolf is characterized as Rhoda Hyman, the Empress of High-brow London, a lanky, sickly lady in Victorian muslins with a drooping, intellect-ravaged exterior.
Hussey, Mark. Virginia Woolf A to Z. Facts on File.
147
Reception Katherine Mansfield
KM 's stories have been credited (in Margaret Drabble 's Oxford Companion to English Literature) as the main channel through which the work of Chekhov (a major and fully-acknowledged influence on her style) reached...
Author summary Barbara Pym
BP was a distinguished, understatedly comic novelist of the twentieth century, whose autobiographical writings (diaries, letters, and notebooks) were published only after her death.
Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press.
1-2, 9
Pym, Barbara. “Editorial Materials”. A Very Private Eye, edited by Hazel Holt and Hilary Pym, Macmillan, p. various pages.
xiii-xiv
Having achieved moderate success during her early career...
Literary responses Barbara Pym
Initial comment included reviews or articles by A. S. Byatt and Marghanita Laski .
Allen, Orphia Jane. Barbara Pym: Writing a Life. Scarecrow Press.
198, 199
Orphia Jane Allen considers this work a thinly developed
Allen, Orphia Jane. Barbara Pym: Writing a Life. Scarecrow Press.
40
but effectively ironic, witty view of academia. Anne Wyatt-Brown
Reception Barbara Pym
Pym is not one of those women writers whose stock has risen through feminist re-evaluation. Five years after the influential Times Literary Supplement article was published, Penelope Lively wrote, I am always surprised that the...
Reception Barbara Pym
Another element that makes her hard to place is her comedy. Though her work has been likened to that of Drabble and Lively (both her champions) her place is rather with out-and-out satirists like Angela Thirkell
Literary responses Amber Reeves
W. L. George discerned in this novel the profound hopelessness of youth, and called its realism remarkable.
George, Walter Lionel. A Novelist on Novels. W. Collins Sons.
104
R. Brimley Johnson implied that its conclusions (about the ordinariness and stupidity of heroines) were...

Timeline

No timeline events available.

Texts

Drabble, Margaret. The Gates of Ivory. Viking-Penguin, 1991.
Drabble, Margaret, editor. The Genius of Thomas Hardy. Weidenfeld and Nicolson, 1976.
Drabble, Margaret. The Ice Age. Weidenfeld and Nicolson, 1977.
Drabble, Margaret. The Middle Ground. Weidenfeld and Nicolson, 1980.
Drabble, Margaret. The Middle Ground. Penguin, 1981.
Drabble, Margaret. The Millstone. Weidenfeld and Nicolson, 1965.
Drabble, Margaret. The Needle’s Eye. Weidenfeld and Nicolson, 1972.
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press, 1985.
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press, 2000.
Drabble, Margaret. The Pattern in the Carpet: A Personal History with Jigsaws. Atlantic, 2009.
Drabble, Margaret. The Peppered Moth. Penguin Viking, 2000.
Drabble, Margaret. The Pure Gold Baby. Canongate, 2013.
Drabble, Margaret. The Radiant Way. Weidenfeld and Nicolson, 1987.
Drabble, Margaret. The Radiant Way. Penguin, 1988.
Drabble, Margaret. The Realms of Gold. Weidenfeld and Nicolson, 1975.
Drabble, Margaret. The Realms of Gold. Penguin, 1977.
Drabble, Margaret. The Red Queen. Penguin Viking, 2004.
Drabble, Margaret. The Sea Lady. Penguin, 2006.
Drabble, Margaret. “The sexual revolution”. Guardian Weekly, p. 22.
Drabble, Margaret. The Tradition of Women’s Fiction: Lectures in Japan. Editor Suga, Yakuko, Oxford University Press, 1985.
Drabble, Margaret. The Waterfall. Weidenfeld and Nicolson, 1969.
Drabble, Margaret. The Waterfall. Penguin, 1971.
Drabble, Margaret. The Witch of Exmoor. Viking, 1996.
Athill, Diana et al. “Who am I? Who do I want to be?”. The Guardian, Vol.
review 2-4
.
Drabble, Margaret. Wordsworth. Evans Bros., 1966.