Twentieth-Century Literary Criticism. Gale Research.
43: 376
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Siddal | The poems attracted little attention initially, except for their connection to ES
's life. Swinburne
was unusual in his estimation of her as a veritable artist in her own right. He discerned in A Year... |
Literary responses | Ouida | Critic Kenneth Churchill
argues that Ouida was the first English writer to chronicle the sense of growing disillusion Twentieth-Century Literary Criticism. Gale Research. 43: 376 |
Literary responses | Emily Lawless | Algernon Swinburne
wrote Lawless a gushing letter on reading Grania, describing it as one of the most exquisite and perfect works in the language—unique in pathos, humour, and convincing persuasion of truthfulness. Sichel, Edith. “Emily Lawless”. Nineteenth Century, Vol. 76 , pp. 80-100. 85 |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | George Eliot | On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble. 131 |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Maggie Gee | MG
was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea
Handwriting Competition (which despite its name must, she says, have disregarded writing... |
Intertextuality and Influence | Christina Rossetti | Praise for this second public collection was more muted and criticism more probing than before. John Westland Marston
, reviewing this volume too for the Athenæum, was still positive, but regretted that most of... |
Intertextuality and Influence | Sarah Williams | SW
read the poetry of George MacDonald
, Dora Greenwell
, and Algernon Charles Swinburne
, and commented on it in her letters. Plumptre, Edward Hayes, and Sarah Williams. “Memoir”. Twilight Hours: A Legacy of Verse, Strahan, p. vii - xxxiii. xxii |
Intertextuality and Influence | Sarah Williams | The first poem in the volume, Baal, uses the biblical story of the prophet Elijah (believer in Jehovah) pitted against the pagan priests of Baal. The prayers of the priests alternate with narrative, till... |
Intertextuality and Influence | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Intertextuality and Influence | Anne Ogle | She may have had the help or collaboration of Swinburne
during its conception (many years before its eventual publication). They probably met on 17 August 1858 at Wallington in Northumberland. They both stayed there... |
Intertextuality and Influence | Violet Hunt | The novel's title is taken from A. C. Swinburne
's poem Before the Mirror, 1869; VH
also includes a quotation from the poem in her book's preliminary pages. Hunt, Violet. White Rose of Weary Leaf. W. Heinemann. 8 |
Intertextuality and Influence | Anne Ogle | The novel ends with mention of the rioting rapids of the Tyne, a phrase that Swinburne
borrowed to end his Tale of Balen (1896). Myers, Alan. “Myers Literary Guide to North-East England”. Northumbria University: Centre for Northern Studies. |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
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