Algernon Charles Swinburne

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Standard Name: Swinburne, Algernon Charles

Connections

Connections Sort ascending Author name Excerpt
Literary responses Elizabeth Siddal
The poems attracted little attention initially, except for their connection to ES 's life. Swinburne was unusual in his estimation of her as a veritable artist in her own right. He discerned in A Year...
Literary responses Ouida
Critic Kenneth Churchill argues that Ouida was the first English writer to chronicle the sense of growing disillusion
Twentieth-Century Literary Criticism. Gale Research.
43: 376
with the practical outcomes of the new state established in Italy by the Risorgimento. She...
Literary responses Emily Lawless
Algernon Swinburne wrote Lawless a gushing letter on reading Grania, describing it as one of the most exquisite and perfect works in the language—unique in pathos, humour, and convincing persuasion of truthfulness.
Sichel, Edith. “Emily Lawless”. Nineteenth Century, Vol.
76
, pp. 80-100.
85
J. M. Synge
Literary responses Anna Steele
The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book.
The Academy.
11 (3 February 1877): 91
Literary responses George Eliot
On the whole reviewers were enthusiastic (E. S. Dallas began his notice in the Times, George Eliot is as great as ever
Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble.
131
), but the ending of The Mill on the Floss...
Intertextuality and Influence Ella Wheeler Wilcox
Without ever owning the complete works of Théophile Gautier , Alphonse Daudet , Shakespeare , Byron , or Swinburne , she read bits and pieces of them all, and they helped to shape her style...
Intertextuality and Influence Maggie Gee
MG was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea Handwriting Competition (which despite its name must, she says, have disregarded writing...
Intertextuality and Influence Christina Rossetti
Praise for this second public collection was more muted and criticism more probing than before. John Westland Marston , reviewing this volume too for the Athenæum, was still positive, but regretted that most of...
Intertextuality and Influence Sarah Williams
SW read the poetry of George MacDonald , Dora Greenwell , and Algernon Charles Swinburne , and commented on it in her letters.
Plumptre, Edward Hayes, and Sarah Williams. “Memoir”. Twilight Hours: A Legacy of Verse, Strahan, p. vii - xxxiii.
xxii
Of the last-named she wrote, Surely such music cannot be destined...
Intertextuality and Influence Sarah Williams
The first poem in the volume, Baal, uses the biblical story of the prophet Elijah (believer in Jehovah) pitted against the pagan priests of Baal. The prayers of the priests alternate with narrative, till...
Intertextuality and Influence Lady Margaret Sackville
LMS 's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate...
Intertextuality and Influence Anne Ogle
She may have had the help or collaboration of Swinburne during its conception (many years before its eventual publication). They probably met on 17 August 1858 at Wallington in Northumberland. They both stayed there...
Intertextuality and Influence Violet Hunt
The novel's title is taken from A. C. Swinburne 's poem Before the Mirror, 1869; VH also includes a quotation from the poem in her book's preliminary pages.
Hunt, Violet. White Rose of Weary Leaf. W. Heinemann.
8
Swinburne's verse was dedicated to...
Intertextuality and Influence Anne Ogle
The novel ends with mention of the rioting rapids of the Tyne, a phrase that Swinburne borrowed to end his Tale of Balen (1896).
Myers, Alan. “Myers Literary Guide to North-East England”. Northumbria University: Centre for Northern Studies.
Intertextuality and Influence Edith Sitwell
ES loved Christina Rossetti from her childhood, and later thoroughly admired Gertrude Stein . As a young woman, however, she believed: Women's poetry, with the exception of Sappho . . . and Goblin MarketChristina Rossetti and...

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