The London Stage 1660-1800. Southern Illinois University Press.
4: 1952
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Margaret Drabble | The heroine of this novel is unhappy in her marriage (two small children) to an ebullient and overbearing young actor. She is stuck with his theatre company in its seven-month season in Hereford (the birthplace... |
Performance of text | Hannah Cowley | HC
's first play, the comedy The Runaway, opened at Drury Lane
, as the only new mainpiece of David Garrick
's final season; it had the successful run of seventeen nights. The London Stage 1660-1800. Southern Illinois University Press. 4: 1952 Link, Frederick M., and Hannah Cowley. “Introduction”. The Plays of Hannah Cowley, Vol. 1 , Garland, p. v - xlxx. vii, x |
Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press. 5: 246 |
Friends, Associates | Hannah Cowley | She did her best to pursue a professional friendship with David Garrick
and his wife
, but after facilitating her successful debut as a playwright in early 1776 Garrick became somewhat elusive. She had a... |
Textual Production | Hannah Cowley | She was said to have begun it on impulse when her husband laughed at her claim that she could produce something better than another play which they had just seen and disliked. She finished it... |
Family and Intimate relationships | Emily Frederick Clark | EFC
's grandfather, who committed public suicide by shooting himself in the west porch of Westminster Abbey on 1 February 1797, when he was a little past seventy, was Colonel Frederick or Frederic (called by... |
Reception | Susanna Centlivre | SC
hinted in A Woman's Case that her husband was upset at her threatening his livelihood with the political rashness of her dedication. The man-in-skirts role became a favourite of David Garrick
, which kept... |
Literary responses | Dorothea Celesia | A prologue by William Whitehead
mentioned DC
's right to inherit her father's theatrical talent, in spite of her sex: No Salick law here bars the female's claim. It concluded with the statement that critics... |
Publishing | Dorothea Celesia | |
Friends, Associates | Dorothea Celesia | DC
's birth family had accustomed her to moving in literary, political, and theatrical circles, and her friends included Mary Lady Hervey
, David Hume
, David Garrick
, and Edward Gibbon
. Her father... |
Friends, Associates | Dorothea Celesia | |
Intertextuality and Influence | Dorothea Celesia | Garrick
took some trouble to revise her draft: cutting over-long speeches, for example. She was grateful and appreciative but, surprisingly in view of the skilful way she shifts the play's emphasis from hero to heroine... |
Friends, Associates | Frances Burney | FB
made friends in the older generation as well as her own. The whole Burney family loved and were loved by David Garrick
. Sir Joshua Reynolds
, who lived barely fifty yards away from... |
Publishing | Frances Brooke | |
Reception | Frances Brooke | David Garrick
emphatically warned Marie-Jeanne Riccoboni
against using FB
as a translator again in the future. Garrick, David. Letters. Editors Little, David M. and George M. Kahrl, Belknap Press of Harvard University Press. 461 |
No timeline events available.
No bibliographical results available.