Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber.
104
Connections | Author name Sort descending | Excerpt |
---|---|---|
Friends, Associates | Constance, Countess Markievicz | CCM
then joined a social circle unlike those she had been part of as a younger woman. She and Casimir lived nearby their close associate Æ
(George Russell
), with whom they sometimes exhibited... |
Friends, Associates | Constance, Countess Markievicz | These members included Æ
(George Russell
), W. B.
and Jack Yeats
, J. M. Synge
, and William Orpen
. |
Leisure and Society | Constance, Countess Markievicz | The Markieviczes also became involved in theatre work. CCM
first appeared onstage in December 1907 as a Druidess in Æ
's Deirdre. The play was produced by the Theatre of Ireland
, a company... |
politics | Constance, Countess Markievicz | The journal, which was the first women's newspaper in Ireland, issued its first number this November, though CCM
did not begin to publish articles in it until March 1909. Other contributors included Katharine Tynan
,... |
Fictionalization | Constance, Countess Markievicz | In his poem Salutation, Æ
(George William Russell
) writes of CCM
's part in the Easter Rising more positively than Yeats: he addresses the women of our race and Markievicz in particular,... |
Friends, Associates | Maud Gonne | An important friend and mentor to her in her Irish opinions Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber. 104 |
Author summary | Eva Gore-Booth | In addition to her intense suffrage and labour activism, EGB
wrote poetry, periodical essays, political pamphlets, religious criticism, plays, and an autobiograpical sketch. Her work was admired by her contemporaries Katharine Tynan
, Æ (... |
Literary responses | Eva Gore-Booth | The volume was well-received by EGB
's contemporaries. W. B. Yeats
wrote to her: I think it is full of poetic feeling and has great promise. . . . Weariness is really most imaginative and... |
Literary responses | Eva Gore-Booth | This poem drew several tributes from friends. Æ
(George Russell
) wrote: I am delighted with your poem. You have slipped into it at last—the Celtic manner . . . . It ought to... |
Anthologization | Eva Gore-Booth | |
Textual Production | Augusta Gregory | AG
edited a collection of essays protesting against British imperialism: Ideals in Ireland with contributions from W. B. Yeats
, Douglas Hyde
, Standish O'Grady
, and Æ
. Murphy, Maureen. “Lady Gregory and the Gaelic League”. Lady Gregory, Fifty Years After, edited by Ann Saddlemyer and Colin Smythe, Gerrards Cross, Buckinghamshire, pp. 143-62. 150 Mattar, Sinéad Garrigan. “’Wage for Each People Her Hand Has Destoyed’: Lady Gregory’s Colonial Nationalism”. Irish University Review, Vol. 34 , No. 1, pp. 49-66. 63 |
Textual Features | Augusta Gregory | The play, which grew out of a story told to Gregory by Æ
, revolves around a series of characters who reveal their dreams only to see them crumble before reality. |
Friends, Associates | Ruth Pitter | RP
knew T. S. Eliot
well enough to enjoy a courtly encounter with him at a bus stop, but she felt his great innovations had not necessarily been a good thing for English poetry, and... |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Friends, Associates | Evelyn Sharp | In Ireland in 1919 she met Maud Gonne
and George Russell
. Sharp, Evelyn. Unfinished Adventure. John Lane, Bodley Head. 207 |
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