Johann Wolfgang von Goethe

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Standard Name: Goethe, Johann Wolfgang von

Connections

Connections Sort ascending Author name Excerpt
Textual Production Anna Swanwick
AS published her blank-verse renderings into English of Goethe 's Faust (the first part), together with Egmont, and two plays by him reprinted from her first volume.
Bruce, Mary Louisa. Anna Swanwick, A Memoir and Recollections 1813-1899. T. F. Unwin.
40
Textual Production Mary Elizabeth Braddon
MEB continued after this to maintain a rate of about one new novel a year. In Gerard, which appeared in 1891, she combined elements from Goethe 's Faust with others from Balzac 's La...
Textual Production Anne Francis
AF changed publishers from Dodsley to Becket when she added to the voices raised in response to Goethe in Charlotte to Werther. A Poetical Epistle.
Francis, Anne. Charlotte to Werther. A Poetical Epistle. T. Becket.
prelims
Textual Production Anna Swanwick
AS issued her translation of Goethe 's complete Faust: the first part thoroughly revised, and the second part newly translated.
Bruce, Mary Louisa. Anna Swanwick, A Memoir and Recollections 1813-1899. T. F. Unwin.
114-15
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production Elizabeth Rigby
During a second trip to Germany, ER penned a solid but unfriendly
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder.
article on Goethe . It appeared in the Foreign Quarterly Review in 1836.
Broomfield, Andrea, and Sally Mitchell, editors. Prose by Victorian Women. Garland.
78
Textual Production Betty Miller
The Browning line (How good is man's life, the mere living!) is quoted as epigraph, along with a passage from Goethe which is also about enjoyment of life.
Miller, Betty. The Mere Living. Victor Gollancz.
prelims
Textual Production Anne Burke
AB 's first novel, the two-volume, anonymous, epistolary Eleanora: From the Sorrows of Werter. A Tale, was part of the overwhelming response to Goethe 's The Sorrows of Young Werther.
Goethe's novel, published...
Textual Production Penelope Shuttle
This was published by Saint Albert's Press at Aylesford in an edition of 500 copies, with 26 copies in hard covers on special paper, signed by the poet and marked with the letters of the...
Textual Production Margaret Fuller
MF 's earliest known writings were connected to her interest in the works of Goethe . She translated his Torquato Tasso between late 1833 and 1834, although it first appeared in print posthumously, in the...
Textual Production Elizabeth Sophia Tomlins
EST 's second novel, The Victim of Fancy, published as by a Lady, appeared, post-dated 1787. It was epistolary and highly sentimental, composed in response to the cult of Goethe 's (translated) The Sorrows of Werter.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 414
Textual Production Constance Naden
This had a red cover with the same design of a trailing plant that adorned her Songs and Sonnets of Springtime, with the frontispiece image and signature (Constance C.W. Naden) which are...
Textual Production Sarah Austin
One of SA 's most important translations, Characteristics of Goethe (from several German authors), appeared in three volumes.
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
291 (1833): 322-23
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder.
Textual Production Jane Welsh Carlyle
In her youth Jane Welsh composed verse translations from texts by Goethe and Pierre Cardenal , and of Chateaubriand 's Atala. She also wrote a number of original short poems; two of those that...
Textual Features Ellen Mary Clerke
The remaining third of the volume comprises translations of authors ranging from Lorenzo de Medici to Goethe .
Clerke, Ellen Mary. The Flying Dutchman, and Other Poems. W. Satchell.
prelims
Textual Features Germaine de Staël
Here she recants the Wertherian romanticism of self-destruction which had stemmed from her early reading of Goethe .

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