Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Charke | CC
closes with a last concealed theatrical reference: the hope that she will be able to pass in the Catalogue of Authors Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints. 277 |
Textual Production | Mary Charlton | Its title-page (as well as bearing a quotation from Shakespeare
) mentions several of her earlier works. |
Literary responses | Georgiana Chatterton | The Athenæum reviewer, William Hepworth Dixon
, admired this verse drama as an elegy thrown into dialogue, excusing its lack of stagecraft as an absence merely of the knowing turns and movements necessary when the... |
Textual Production | Agatha Christie | AC
published Absent in the Spring, another novel under the pseudonym Mary Westmacott, which she had written within three days in July 1943. The title comes from a sonnet by Shakespeare Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 77. Gale Research. 69 |
Textual Production | Agatha Christie | AC
's play The Mousetrap opened at the Ambassadors Theatre
in London: adapted from the title story in her Three Blind Mice, and Other Stories, 1948. It was still playing in 2014, as... |
Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Methuen. prelims |
Textual Features | Hélène Cixous | As she was preparing to stage La Prise de l'école de Madhubai in 1984, she met Ariane Mnouchkine
, the director of the experimental Théâtre du Soleil
, who was known for her innovation in... |
Education | Hélène Cixous | She had already begun courses to prepare for university entrance at the Lycée Bugeaud in Algiers a year earlier. In 1957 she earned her bachelor's degree in English literature from the University of Bordeaux
... |
Intertextuality and Influence | Hélène Cixous | The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:... |
Intertextuality and Influence | Hélène Cixous | Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed... |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Literary responses | Kate Clanchy | Deryn Rees-Jones
, reviewing for The Independent, expressed admiration for KC
's technique, language, imagery, and her success in capturing the bewilderment, and scratchy impatience, of being a parent. Her supple, textured writing is... |
Occupation | Charles Cowden Clarke | Between 1835 and 1856, on the advice of Mary Cowden Clark, who had observed his skill at reading aloud, CCC
gave lectures on literature, including several on Shakespeare
. Some of these were later published... |
Intertextuality and Influence | Gillian Clarke | Many poems here are about the Welsh countryside, or are based on personal memories. Along with her foremothers, GC
salutes other influences in LLŷr, titled from the Welsh name of the ancient British King... |
Textual Production | Gillian Clarke | Invited to respond to Shakespeare
's sonnets, GC
took off from Let me not to the marriage of true minds for a poem on enduring love with examples from the animal kingdom: swallows homing and... |
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