Maria Edgeworth
-
Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Family and Intimate relationships | Susanna Moodie | |
Education | Mary Russell Mitford | MRM
was said to have learned to read by the time she was three. In January 1806 she got through fifty-five volumes, including books by Sarah Harriet Burney
, Maria Edgeworth
, Elizabeth Hamilton
,... |
Wealth and Poverty | Mary Russell Mitford | The prime movers of this achievement were Henry F. Chorley
(who later edited her letters) and the Rev. William Harness
; the name of Queen Victoria
headed the list of subscribers. Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 116: 195 Pigrome, Stella. “Mary Russell Mitford”. The Charles Lamb Bulletin, Vol. 66 , Charles Lamb Society, pp. 53-62. 54 |
Reception | Mary Russell Mitford | Our Village made MRM
a literary lion. She became a celebrity, and was entertained by dukes as the toast of the town. Pigrome, Stella. “Mary Russell Mitford”. The Charles Lamb Bulletin, Vol. 66 , Charles Lamb Society, pp. 53-62. 58 |
Literary responses | Mary Russell Mitford | MRM
's plays were admired by Maria Edgeworth
, Joanna Baillie
, and Felicia Hemans
, though John Genest
(in Some Account of the English Stage, from the Restoration in 1660 to 1830, 1832), judged them dull. |
Textual Features | Mary Russell Mitford | MRM
's letters regularly indulge in analysis of books. She comments on works by both men and women, in English and French, and her opinions shift a good deal with age. She reacted with horror... |
Textual Production | Alice Meynell | She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:... |
Education | Medbh McGuckian | At university, she was taught by Seamus Heaney
, and met other poets including Michael Longley
, Paul Muldoon
, and Ciaran Carson
. Her MA thesis on Irish nineteenth-century writers and Gothic fiction dealt... |
Friends, Associates | Harriet Martineau | HM
's social circle vastly expanded at this time until she knew virtually all the prominent people, particularly the political men, of her day. As she recorded in her Autobiography, however, she refused to... |
Literary responses | Harriet Martineau | The Athenæum gave this almost a full-page review (far more than it had yet accorded any of the Illustrations). It compared HM
's work in detail with that of Sir Walter Scott
and more... |
Literary responses | Harriet Martineau | Maria Edgeworth
wrote to HM
to express her admiration of The Hour and the Man, and Florence Nightingale
said after the author's death that she had read it repeatedly and considered it the finest... |
Textual Features | Harriet Martineau | The stories are eventful as well as didactic (incidents range from natural disaster and piracy to child heroism and the death of a baby). They typically feature sudden adversity, which snatches children from a familiar... |
Textual Features | Harriet Martineau | Critic Linda H. Peterson
places the Autobiography as a response to the domestic memoir generally and to the domestication of the religious and intellectual in the memoirs of various women including Charlotte Tonna
. Instead... |
Literary responses | Marguerite Gardiner, Countess of Blessington | It was likened in the Athenæum's laudatory review to Maria Edgeworth
's anti-romantic novel Leonora, 1806, because of its similar scope and tendency and the artistic manner in which its subject was portrayed... |
Friends, Associates | Jane Marcet | JM
probably knew her husband's friends Edward Jenner
and William Hyde Wollaston
; she certainly knew and corresponded with John Yelloy
. She was a friend on her own account of Margaret Bryan
, Marcet, Jane. “Introduction”. Chemistry in the Schoolroom: 1806, edited by Hazel Rossotti, AuthorHouse, p. i - xxi. iii, v n6 |
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