Maria Edgeworth

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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Watercolour portrait of youthful-looking Maria Edgeworth by John Downman, 1807. She sits on a straight-backed chair, wearing a lacy cap with a blue bow, and a blue, empire-style dress over white, high-necked, gauzy linen.

Connections

Connections Author name Excerpt
Textual Features Sarah Green
Literary discussion spills over from the preface into the text. The Rev. Edward Marsham, surprisingly for one of his profession, finds Hannah More 's Coelebs too religious; he prefers canonical novelists who teach virtue and...
Textual Features Anna Letitia Barbauld
The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's...
Textual Features Catharine Maria Sedgwick
In her dedication to Edgeworth , CMS mentions with admiration the Irish writer's eminent services in the great cause of human virtue and improvement.
Sedgwick, Catharine Maria. A New-England Tale. Bliss and White.
prelims
In a preface she expresses great humility about her own...
Textual Features Elizabeth Hervey
It is variously and descriptively set in Wales (where it opens near the mountains of Snowdon and Penmaenmawr), Ireland, and South Carolina, where Ned's adventures begin with landing at Charlestown (or Charleston)...
Textual Features Harriet Martineau
The stories are eventful as well as didactic (incidents range from natural disaster and piracy to child heroism and the death of a baby). They typically feature sudden adversity, which snatches children from a familiar...
Textual Features Sarah Trimmer
In addition to Catharine Cappe 's work on Sunday schools and versions of fairy stories by Marie-Catherine d'Aulnoy , the magazine reviewed work by a whole library of didactic, pedagogical, or improving writers, reprinted as...
Textual Features Harriet Martineau
Critic Linda H. Peterson places the Autobiography as a response to the domestic memoir generally and to the domestication of the religious and intellectual in the memoirs of various women including Charlotte Tonna . Instead...
Textual Features Elizabeth Ogilvy Benger
As well as laying the expected emphasis on exemplary moral qualities, she makes much of Hamilton's ardour, racy humour, and love of life. In providing a detailed account of her literary career, EOB highlights Hamilton's...
Textual Features Barbara Hofland
The title-page quotes James Thomson , and the preface acknowledges the influence of Maria Edgeworth 's The Modern Griselda, 1805.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 366
Textual Production Anne Thackeray Ritchie
ATR wrote a memorial preface to Poems and Music by Anne Evans in 1880. In 1892 she drew on her father 's ideas for a largely anecdotal introduction to Elizabeth Gaskell 's Cranford.
Callow, Steven D. “A Biographical Sketch of Lady Anne Thackeray Ritchie”. Virginia Woolf Quarterly, Vol.
2
, pp. 285-7.
293
Textual Production Mary Leadbeater
It had a preface and notes by Maria Edgeworth , who did not know ML very well personally but was impressed by the book. The Chawton House Library copy is one presented by Edgeworth to...
Textual Production Stella Gibbons
She dedicated the novel to Brenda Bennet and Stella Crow , two old friends from North London Collegiate School . The frontispiece quotes Maria Edgeworth 's Leonora.
Gibbons, Stella. The Bachelor. Dodd, Mead.
prelims
Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury.
28
Textual Production Christian Isobel Johnstone
She published this anonymously. Another edition of the same year has the Edinburgh imprint only. She claims that the first half of the work was set up in print before she had seen Scott 's...
Textual Production Naomi Royde-Smith
In an Author's NoteNRS tenders her thanks to the shades of Miss Austen, Miss Burney , Miss Edgeworth , Mrs Sherwood and Mr. W. M. Thackeray for the life-long pleasure they have given her...
Textual Production Ann Taylor Gilbert
She altered the magazine's policy, reviewing Mary Brunton 's Self-Control, and then Maria Edgeworth 's Tales, I forget which series,
Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, http://U of A, HSS Ruth N .
1: 203
although until then it had not been customary in that work...

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