William Cowper

It opens with England, with all thy faults I love thee still!—a quotation not from Byron 's Beppo, which lay still two years in the future, but from Cowper 's The Task (whence...

She goes on to quote Johnson , Cowper , Emerson (with whose thought she engages in some detail), and many other canonical names. Among women she quotes from Mary Bosanquet Fletcher (a passage about communion...

This work draws on her diary, and gives a lively picture of local life at Ballitore over nearly sixty years (ending in 1823). She goes into some detail about her family and her early memories...

The title-page quotes Langhorne and the first chapter-heading William Cowper . Despite its related material, this story is more bland than The Cousins. The hero, Walsingham, appears in England as the ward of Sir...

Many chapters are headed with quotations from Shakespeare or Cowper . This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her...

In Mansfield Park the heroine is a Romantic in her sensibilities: an admirer of Cowper , passionately devoted to her brother, stoical in her endurance of cold but vividly alive to the suffering of others...

This work quotes Cowper on the title-page. The short stories (genuinely short this time) include A Few Days from My Journal (which opens with Johnson 's well-known remark to Boswell about the pleasure of driving...

The title-page again quotes Cowper . This novel treats, in realistic style, a number of hot issues: sense and sensibility, the importance of marriage choice, and female financial dependence on male relatives who tend to...

The novel parodies Germaine de Staël 's Corinne (which had appeared in French in 1807, in English in 1808). Chapters are supplied with epigraphs: some standard choices like Pope and Cowper , but also texts...

The poems are lively and entertaining, despite a steady the prevalence of accounts of penalties (up to and including death) naturally consequent on bad behaviour. The most famous of Ann's poems in the volume is...

CG says of Bessy Bell and Mary Gray that she was instructed by the lowliest of the muses to sing of ladies. Her subjects range from the fairly intimately personal to the boldly public (on...

She opens the essay with a sharp and witty caricature of others' representations of unmarried women: they have, it is true, gained much both socially and æsthetically in passing from the traditionary type—the withered prude...

There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More 's Coelebs...

Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson

In a critical preface HS reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford or Edward Bulwer Lytton ). The two groups of lovers and...