Mannocchi, Phyllis. “’Vernon Lee’: A Reintroduction and Primary Bibliography”. English Literature in Transition, No. 4, pp. 231 - 67.
240-2
Connections Sort descending | Author name | Excerpt |
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Anthologization | Vernon Lee | VL
also published An Essay on Art and Life (1896), Limbo, and Other Essays (1897), and Hortus Vitae, Essays on the Gardening of Life (1903). Mannocchi, Phyllis. “’Vernon Lee’: A Reintroduction and Primary Bibliography”. English Literature in Transition, No. 4, pp. 231 - 67. 240-2 |
Anthologization | Vernon Lee | The title piece first appeared in the Contemporary Review in July 1898. It was reprinted in Andrea Broomfield
's and Sally Mitchell
's Prose by Victorian Women, 1996. Broomfield, Andrea, and Sally Mitchell, editors. Prose by Victorian Women. Garland, 1996. 711-29 |
Friends, Associates | Clementina Black | During the 1880s CB
studied privately at the library of the British Museum
. At this time, |
Intertextuality and Influence | Clementina Black | Critic Andrea Broomfield
observes that Sweated Industry and Makers of Our Clothes played a significant role in helping to pass the Trade Boards Act on 20 October this year. Bloom, Abigail Burnham, editor. Nineteenth-Century British Women Writers. Greenwood Press, 2000. 37 |
Literary responses | Eliza Lynn Linton | Critic Andrea Broomfield
notes that reductive as the articles seem, with them ELLcontributed first-hand to the evolution of popular journalism, as well as achieving a feat that had eluded more than one feminist activist:... |
Literary responses | Eliza Lynn Linton | The essay The Girl of the Period was at once answered and debated in a number of magazines. Broomfield, Andrea. “Much More Than an Antifeminist: Eliza Lynn Linton’s Contribution to the Rise of Victorian Popular Journalism”. Victorian Literature and Culture, No. 2, pp. 267 - 83. 280 |
Literary responses | Edith J. Simcox | As noted by Laurie Zierer
in Broomfield
and Mitchell
's anthology of Victorian women writers, EJS
's connection with George Eliot
has saved her from permanent obscurity, [but] her stature as a Victorian writer and... |
Literary responses | Eliza Lynn Linton | Athenæum reviewer H. F. Chorley
felt that the author was now raving like a pagan Pythoness—the female oracle whose pronouncements were not expected to be comprehensible: There is a positive untruth to the very... |
Textual Features | Eliza Lynn Linton | Broomfield
argues that Eliza appealed to Saturday Review readers by the way she ingeniously flatters the male ego and reinforces men's prejudices about the Sex. Her reviews of books by women were in this... |
Textual Features | Eliza Lynn Linton | She castigates church-goers as belonging to one of two extremes, with no golden mean suggested between them: the high-Anglican maiden who dotes on ritual and music versus the low-church believers who prefer to shriek and... |
Textual Features | Elizabeth Rigby | Scholars Mitchell
and Broomfield
observe that like Kant
before her and Oscar Wilde
after, Eastlake sought to define a realm of human experience to and for which only art could speak, whereas Ruskin believed that... |
Textual Features | Eliza Lynn Linton | The near-antifeminist line adopted by many, particularly her later, articles seems at odds with her pioneer situation, and has been variously explained. Andrea Broomfield
suggests that ELL
's need to consolidate her position and advance... |
Textual Production | Sarah Grand | |
Textual Production | Eliza Lynn Linton | ELL
's first New Woman novel (a phrase which was not to become current for several more years), The Rebel of the Family was serialized in Temple Bar. It appeared in volume form the... |