qtd. in
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 185
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Willa Muir | WM
heads her essay with a quotation from Laurence Sterne
's Tristram Shandy: Methinks, brother, replied my father, you might, at least, know so much as the right end of a woman from the... |
Intertextuality and Influence | Anna Maria Bennett | In the central plot a number of lives are ruined by the fact that a generation ago an upper-class rake, James Neville, has fathered various children by different women, most of them illegitimate, who have... |
Intertextuality and Influence | Elizabeth Thomas | The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare
through Racine
in French, Prior
and Pope
to Sterne
and Burke
, plus a couple of unidentified women.... |
Intertextuality and Influence | Frances O'Neill | The volume includes poems of natural description, of meditation, and of political comment. FON
expresses delight at the election victory on 9 August 1802 (in John Wilkes's old constituency of Middlesex) of Sir Francis Burdett |
Intertextuality and Influence | Elizabeth Bonhote | The hero of this episodic novel, a happily married curate with three children to bring up on £80 a year, and repining on their behalf at his poverty, takes Sentimental Rambles qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 185 |
Intertextuality and Influence | Anne Grant | The day was spent travelling from Glasgow to Inveraray. The writer throws in quotations and allusions (Edward Young
, the Bible, Macpherson
's Ossian and Homer
's Odyssey, Sterne
and Smollett |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Jane Harvey | |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 243 |
Intertextuality and Influence | Mariana Starke | Here MS
found the mixture that would characterise all her travel writing: vivid first-hand narrative and evocation, and reliable well-set-out information about practical matters like mileages and information about the state of roads and inns... |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Amelia B. Edwards | Barbara Churchill, a clever, shy, ugly, awkward child, Athenæum. J. Lection. 1888 (1864): 15 |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes, 1771. 31-2 Latter, Mary. Pro & Con. T. Lowndes, 1771. vii, 14 |
Intertextuality and Influence | Susanna Haswell Rowson | Here SHR
makes a preface out of her unwillingness to write a preface: this concept is Sterne
an, and so is the abrupt opening. I can't for my life see the necessity of it, said... |
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