Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 185
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Jane Harvey | |
Intertextuality and Influence | Elizabeth Bonhote | The hero of this episodic novel, a happily married curate with three children to bring up on £80 a year, and repining on their behalf at his poverty, takes Sentimental Rambles Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 185 |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mariana Starke | Here MS
found the mixture that would characterise all her travel writing: vivid first-hand narrative and evocation, and reliable well-set-out information about practical matters like mileages and information about the state of roads and inns... |
Literary responses | Alice Meynell | Virginia Woolf
was angered by AM
's opinion that Jane Austen
was a frump (and was even angrier that Meynell advised reading Sterne
's Tristram Shandy in an expurgated edition). Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 2: 503 |
Literary responses | Penelope Aubin | Popular fiction of PA
's type is a target of parody in Henry Fielding
's Jonathan Wild. McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span>”;. Studies in the Novel, Vol. 30 , No. 2, pp. 211-31. 215 |
Literary responses | Susanna Haswell Rowson | The Critical Review situated this work in reference to two others: Sterne
's Sentimental Journey and Elizabeth Bonhote
's The Rambles of Mr. Frankly. (It apparently did not remember Eliza Haywood
's The Invisible... |
Literary responses | Sarah Scott | Later this year the black Londoner Ignatius Sancho
singled out Laurence Sterne
and the humane author of Sir George Ellison as the only writers to have drawn a tear in favour of my miserable black... |
Literary responses | Elizabeth Bonhote | The first volume's appearance was warmly welcomed by the Critical Review in a brief review which called the writer he:the only note of reproof concerned excessive imitation of Sterne
. Critical Review. W. Simpkin and R. Marshall. 34 (1772): 472 |
Occupation | Elizabeth Heyrick | Like her mother and the family friend Catherine Hutton, EH
was skilled at decorative arts. She fashioned a miniature medallion, depicting Sterne
's sentimental character Maria, out of Hutton's hair. Beale, Catherine Hutton, editor. Catherine Hutton and Her Friends. Cornish Brothers. 187 |
Publishing | Dinah Mulock Craik | Travel pieces which DMC
had published in the new English Illustrated Magazine became An Unsentimental Journey through Cornwall, published later that year (titled with reference to Laurence Sterne
). Mitchell, Sally. Dinah Mulock Craik. Twayne. 97, 136 |
Reception | Sarah Orne Jewett | Jewett wrote both diaries and letters from an early age, and was an avid reader. Reminiscing, she said she remembered thinking that if I could write just as Miss Thackeray
did in her charming stories... |
Reception | Elizabeth Hervey | It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus... |
Residence | Eliza Kirkham Mathews | The pair lived a peripatetic existence, since Charles Mathews was working for Tate Wilkinson
's touring company. They went to York after their London visit, and spent some time in Hull. Their final lodging... |
Textual Features | Christina Stead | Here CS
turns a satiric eye on expatriates in Switzerland in the harsh years that followed the second world war. Her characters have mostly come through the war with money which they wish to protect... |
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