Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 185
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Jane Harvey | |
Intertextuality and Influence | Elizabeth Bonhote | The hero of this episodic novel, a happily married curate with three children to bring up on £80 a year, and repining on their behalf at his poverty, takes Sentimental Rambles Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 185 |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mariana Starke | Here MS
found the mixture that would characterise all her travel writing: vivid first-hand narrative and evocation, and reliable well-set-out information about practical matters like mileages and information about the state of roads and inns... |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Alethea Lewis | Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain. Feminist Companion Archive. |
Intertextuality and Influence | Elizabeth Thomas | The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare
through Racine
in French, Prior
and Pope
to Sterne
and Burke
, plus a couple of unidentified women.... |
Intertextuality and Influence | Mrs Martin | Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding
or Laurence Sterne
(the latter, indeed, is mentioned by name). MM
hopes her reader... |
Intertextuality and Influence | Amelia B. Edwards | Barbara Churchill, a clever, shy, ugly, awkward child, Athenæum. J. Lection. 1888 (1864): 15 |
Intertextuality and Influence | Helena Wells | The heroine's father is a Hamburg merchant (which perhaps explains the book's Hamburg subscribers). She is born in Barbados (where her mother, on arrival, would have been perfectly happy, but for the black servants)... |
Intertextuality and Influence | Maggie Gee | Her ordinary working-class family here (quite the same as everyone else) Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Friends, Associates | Elizabeth Graeme Ferguson | EGF
had met novelist Laurence Sterne
and botanist-physician John Fothergill
in London. Among her large circle of friends at home, other writers were prominent. She knew the poet Nathaniel Evans
and the physician and educator... |
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