Samuel Richardson

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Standard Name: Richardson, Samuel
SR 's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Stipple engraving of Samuel Richardson, used by Anna Letitia Barbauld in her edition of Richardson's correspondence. He is standing with his right hand tucked into his jacket and a book in his left hand; in the related painting by Joseph Highmore, Richardson holds a paper instead of a book.

Connections

Connections Author name Excerpt
Publishing Sarah Fielding
The work was dedicated to Lady Pomfret . Its 440 subscribers included many prominent people, reflecting the bluestockings' range of influence as well as SF 's local and family connections: Ralph Allen , Lord Chesterfield
Textual Production Sarah Fielding
This work, no longer attributed to SF 's single authorship, was printed, as several of hers were, by Samuel Richardson . But letters written about it by Lady Barbara Montagu (friend and partner of the...
Textual Production Sarah Fielding
SF published anonymously her Remarks on Clarissa, Addressed to the Author.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli.
xxxix
Publishing Sarah Fielding
SF published by subscription The Lives of Cleopatra and Octavia, printed by Samuel Richardson as by the Author of David Simple.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli.
xl
Textual Production Sarah Fielding
SF 's The History of the Countess of Dellwyn was published in an edition of a thousand copies by Andrew Millar , and printed by Samuel Richardson .
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli.
xl
Friends, Associates Sarah Fielding
SF 's important friendship with Samuel Richardson probably dates from about 1744. In 1750 he included her and Jane Collier in a list of thirty-six superior women, most of them his friends. Through Richardson she...
Textual Production Sarah Fielding
Begun in mockery of Richardson 's Pamela, Joseph Andrews developed into a new kind of novel, the comic epic poem in prose.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli.
xxxviii
Textual Features Sarah Fielding
David Simple predates all fictional work by Samuel Johnson and all but the earliest works by Henry Fielding and Samuel Richardson , which are sometimes mistakenly spoken of as its models. It may be seen...
Publishing Sarah Fielding
She described herself as the Author of David Simple on the title-page of this and of all her subsequent fictional works. She did not put her name on a title-page until her last book. This...
Textual Production Sarah Fielding
She dedicated it to the court lady Anna Maria Poyntz . It may perhaps be the Book Upon Education
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli.
xxxix
which SF was planning in October 1748, or that may have been something different that...
Textual Features Sarah Fielding
Whereas Samuel Richardson had criticised William Whitehead 's The Roman Father, saying that it validated personal feeling at the expense of patriotism, the author of the pamphlet takes issue with Richardson and defends Whitehead's...
Literary responses Sarah Fielding
Samuel Richardson respected The Cry as a new Species of Writing, sent copies to two friends (Sophia Wescomb and Dorothy, Lady Bradshaigh ), and wanted it to go into a second edition—
Londry, Michael. “Our dear Miss Jenny Collier”. Times Literary Supplement, 5 Mar. 2004, pp. 13-14.
13
Intertextuality and Influence Hannah Webster Foster
Critic Ruth Perry has noted that The Coquette is a late example of a numerous group: the woman's novel strongly influenced by Richardson 's Clarissa.
Perry, Ruth. “Clarissa’s Daughters, or The History of Innocence Betrayed. How Women Writers Rewrote Richardson”. Clarissa and Her Readers: New Essays for the Clarissa Project, edited by Carol Houlihan Flynn and Edward Copeland, AMS Press, 1999, pp. 119-41.
124
Eliza's first difficulty is the same as Clarissa's...
Intertextuality and Influence Julia Frankau
JF loved to read the current books but had no interest in the lives of the authors. Among literature of the past she much admired that of the eighteenth century, and particularly Richardson 's Clarissa...
Family and Intimate relationships Stéphanie-Félicité de Genlis
SFG had two daughters or adopted daughters, Pamela (named after Richardson 's fictional heroine) and Hermine. Pamela later married an Irish patriot, becoming Lady Edward Fitzgerald . The question of her parentage, and indeed her...

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