Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Seamus Heaney | The title poem, wrote a critic some years later, wrestled towards a vision of poetic transcendence in the person of James Joyce
, TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4601 (7 June 1991): 28 |
Textual Features | Julia O'Faolain | This novel is set in a villa in Tuscany, which is known for having been the setting for a sixteenth-century (published) dialogue on love. At the present moment of history a comparable dialogue is... |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829. 1829, iv |
Textual Features | Mary Cholmondeley | MC
details the various manuscripts left by Hester: a journal describing everything she read, a journal about bee-keeping, and a notebook containing brief biographies of important figures, as well as notebooks of quotations, poetry, and... |
Textual Features | Caroline Clive | Much of this poem is Dante
sque in its style. Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press, 1932. 122 |
Textual Features | Margaret Legge | The story opens at an art school, with male students discussing female models. Bonyng, a fair, slim youth, is, unlike the other students, embarrassed by women. Among the models one is conventionally voluptuous, Legge, Margaret. The Price of Stephen Bonyng. Alston Rivers, 1913. 3 |
Textual Features | Deborah Levy | The British Council
website on writers points out that despite its slangy style and up-to-the-minute references (contemporary, bathetic and very funny), this work has its structural roots in medieval poetic dialogues, in the... |
Textual Features | C. E. Plumptre | Bruno's conversion from Catholicism to Pantheism is described in a sexual analogy: Night after night he would steal out, moved by the same thoughts, penetrated by the same rapture . . . The more ardently... |
Textual Production | Linda Villari | |
Textual Production | Vita Sackville-West | VSW
followed her Behn biography two years later with Andrew Marvell, to open Faber and Faber
's series The Poets on the Poets (in which the second volume was provided by Eliot
writing on Dante
). Glendinning, Victoria. Vita. Penguin, 1984. 222 |
Textual Production | Margaret Oliphant | MO
published The Makers of Florence: Dante
, Giotto
, Savonarola
; and Their City. “Palmer’s Index to the Times”. Historical Newspapers Online. Greenfield, John R., editor. Dictionary of Literary Biography 159. Gale Research, 1996. 159: 251 |
Textual Production | Margaret Oliphant | |
Textual Production | Anna Mary Howitt | Two months later he reported it as attracting much favourable attention when hung at the Portland Gallery
, while AMH
's mother wrote that it was immediately sold, and brought in two commissions. Woodring, Carl Ray. Victorian Samplers: William and Mary Howitt. University of Kansas Press, 1952. 171 |
Textual Production | Fanny Aikin Kortright | She says that, not being personally known to Beecher Stowe, she has not asked leave for her dedication, but that Stowe
's work for the black slaves suggests she would favour a work written to... |
Textual Production | Anne Ridler | AR
's earliest translations were from Italian, of Dante
and Eugenio Montale
. She first thought of translating a libretto for performance when she was asked to do so by Jane Glover
, who later... |
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