Jonathan Swift

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Standard Name: Swift, Jonathan

Connections

Connections Sort descending Author name Excerpt
Publishing Mary Barber
MB 's campaign to raise subscribers for her Poems on Several Occasions was well under way: Swift wrote to her about its progress on 23 February 1731.
Stewart, Wendy. “The Poetical Trade of Favours: Swift, Mary Barber, and the Counterfeit Letters”. Lumen, Vol.
xviii
, pp. 155-74.
170
Publishing Anne Killigrew
The title-page said 1686. The frontispiece is an engraving from one of AK 's two painted self-portraits. Jonathan Swift had a copy in his library. During the twenty-first century, copies of this handsome little book...
Publishing Elizabeth Thomas
A second edition followed in November and further editions in 1731 (London), 1732 (Dublin ), and 1743-4.
Foxon, David F. English Verse 1701-1750. Cambridge University Press.
The work was first ascribed to ET by Curll in an advertisement at the end...
Reception Eliza Haywood
Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly...
Reception Delarivier Manley
Today DM 's stock is high, but she is less studied than many of her contemporaries. Her choice of genres and her close involvement with the political and other affairs of her time make her...
Reception Laetitia Pilkington
LP 's work was included in Poems by Eminent Ladies, 1755. But it was also traduced in catchpenny publications like The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour, 1759...
Reception Caroline Clive
This poem was considered one of CC 's best works. It was praised by Mary Russell Mitford , and George Saintsbury noted its originality
Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press.
123
(though the passage on the dead wit and writer searching...
Textual Features Violet Fane
The unnamed male narrator describes himself as a foreigner, but has lived in London long enough to be mistaken for an Englishman.
Fane, Violet. The Edwin and Angelina Papers. World Office.
4
In the end he reveals himself to be an inhabitant of Japan...
Textual Features Isabella Lickbarrow
Her first poem, an Introductory Address to the Muse, uses the language of love and courtship: In secret shades alone I woo'd thee then / By stealth, nor to the world durst tell my love...
Textual Features Jane Collier
The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope 's The Art of Sinking in Poetry and Swift
Textual Features Maria Riddell
MR 's own twenty poems include prefatory verses as editor, written for the occasion. She prints work by the late Henrietta O'Neill (the well-known Ode to the Poppy), Georgiana Duchess of Devonshire (St...
Textual Features Catharine Macaulay
Her topics here, all relevant to the escalating American demands for independence, are the declining economy, rising prices, and an oppressive burden of taxes.
Copeland, Edward. Women Writing about Money: Women’s Fiction in England, 1790-1820. Cambridge University Press.
19
She was entering a debate previously carried on among such...
Textual Features Elizabeth Boyd
EB offers original, discriminating praise for women's writing: Susanna Centlivre (her inspiration, she says), Eliza Haywood (though she regrets her exposure of women's faults), Aphra Behn , and Delarivier Manley , whom she calls the...
Textual Features Constance Naden
The Elixir of Life opens with the waking vision of a man and woman in their summer prime, he looking like Apollo, she looking like an angel with just a touch of the siren or...
Textual Features Eliza Haywood
EH 's fictional Swift is widely unlike the original, especially in prose style.

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