Stewart, Wendy. “The Poetical Trade of Favours: Swift, Mary Barber, and the Counterfeit Letters”. Lumen, Vol.
xviii
, pp. 155-74. 170
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Mary Barber | MB
's campaign to raise subscribers for her Poems on Several Occasions was well under way: Swift
wrote to her about its progress on 23 February 1731. Stewart, Wendy. “The Poetical Trade of Favours: Swift, Mary Barber, and the Counterfeit Letters”. Lumen, Vol. xviii , pp. 155-74. 170 |
Publishing | Anne Killigrew | The title-page said 1686. The frontispiece is an engraving from one of AK
's two painted self-portraits. Jonathan Swift
had a copy in his library. During the twenty-first century, copies of this handsome little book... |
Publishing | Elizabeth Thomas | A second edition followed in November and further editions in 1731 (London), 1732 (Dublin ), and 1743-4. Foxon, David F. English Verse 1701-1750. Cambridge University Press. |
Reception | Eliza Haywood | Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly... |
Reception | Delarivier Manley | Today DM
's stock is high, but she is less studied than many of her contemporaries. Her choice of genres and her close involvement with the political and other affairs of her time make her... |
Reception | Laetitia Pilkington | LP
's work was included in Poems by Eminent Ladies, 1755. But it was also traduced in catchpenny publications like The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour, 1759... |
Reception | Caroline Clive | This poem was considered one of CC
's best works. It was praised by Mary Russell Mitford
, and George Saintsbury
noted its originality Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press. 123 |
Textual Features | Violet Fane | The unnamed male narrator describes himself as a foreigner, but has lived in London long enough to be mistaken for an Englishman. Fane, Violet. The Edwin and Angelina Papers. World Office. 4 |
Textual Features | Isabella Lickbarrow | Her first poem, an Introductory Address to the Muse, uses the language of love and courtship: In secret shades alone I woo'd thee then / By stealth, nor to the world durst tell my love... |
Textual Features | Jane Collier | The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope
's The Art of Sinking in Poetry and Swift |
Textual Features | Maria Riddell | MR
's own twenty poems include prefatory verses as editor, written for the occasion. She prints work by the late Henrietta O'Neill
(the well-known Ode to the Poppy), Georgiana Duchess of Devonshire
(St... |
Textual Features | Catharine Macaulay | Her topics here, all relevant to the escalating American demands for independence, are the declining economy, rising prices, and an oppressive burden of taxes. Copeland, Edward. Women Writing about Money: Women’s Fiction in England, 1790-1820. Cambridge University Press. 19 |
Textual Features | Elizabeth Boyd | EB
offers original, discriminating praise for women's writing: Susanna Centlivre
(her inspiration, she says), Eliza Haywood
(though she regrets her exposure of women's faults), Aphra Behn
, and Delarivier Manley
, whom she calls the... |
Textual Features | Constance Naden | The Elixir of Life opens with the waking vision of a man and woman in their summer prime, he looking like Apollo, she looking like an angel with just a touch of the siren or... |
Textual Features | Eliza Haywood | EH
's fictional Swift
is widely unlike the original, especially in prose style. |
No timeline events available.
No bibliographical results available.