Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley.
309
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Gertrude Stein | This publication was the result of a contract between Bennett Cerf
of Random House
and GS
for a future, second autobiography. Cerf promised to publish all of GS
's works at the rate of one... |
Literary responses | Gertrude Stein | From the time when the Atlantic Monthly published the first serial instalments of this book, English readers as well as American were enthusiastic, and enthusiasm grew with its appearance as a volume. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley. 309 Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 139 |
Textual Production | Gertrude Stein | |
Leisure and Society | Gertrude Stein | The salon's emergence coincided with Leo Stein
's interest in collecting modern art. In 1904 Leo bought his first Cézanne
painting at Vollard's Gallery
. Then, in 1905, the Steins went to the Salon d'Automne... |
Friends, Associates | Gertrude Stein | With this purchase Gertrude and Leo embarked on a course that made them not only patrons but also close friends of Matisse
and the circle of young, emerging artists congregated in Paris: painters Georges Braque |
Occupation | Gertrude Stein | They became patrons and they became salonnières. They were presumed to be eccentric millionaires, though they lived meagrely so that they could buy art. Leo dominated the early days of the salon with his efforts... |
Friends, Associates | Gertrude Stein | Picasso and his lover Fernande Bellevalleé (later Olivier)
were hosting a small dinner to hear Rousseau play the violin. The small dinner swelled in size as word-of-mouth circulation made its existence known. But the caterer... |
Intertextuality and Influence | Gertrude Stein | GS
's studies in psychology, philosophy, and medicine fiction left a deep imprint on her way of thinking and in her work. At Radcliffe College
she learned from William James
his philosophy of Pragmatism: I... |
Reception | Gertrude Stein | Alfred Stieglitz
, the editor of Camera Work, wrote to tell GS
: You have undoubtedly succeeded in expressing Matisse and Picasso in words. Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 72 |
Friends, Associates | Lady Ottoline Morrell | |
Friends, Associates | Hope Mirrlees | While living in Paris, Mirrlees and Harrison entertained visitors who included HM
's mother
(widowed in 1924), and Virginia
and Leonard Woolf
. Robinson, Annabel. The Life and Work of Jane Ellen Harrison. Oxford University Press. 298 |
Intertextuality and Influence | Medbh McGuckian | The title is a description by the artist Matisse
of what he did to keep sane during wartime. MMG
writes here of the dilemmas of violent politics, but she writes in a language suffused with... |
Publishing | Nina Hamnett | NH
launched her career as a writer by helping a friend who was standing in for the absent art critic on a well-known Sunday paper. Hamnett, Nina. Is She a Lady? A Problem in Autobiography. Allan Wingate. 27 |
Occupation | Roger Fry | Fry travelled to Paris with Clive Bell, Desmond MacCarthy
, and Lady Ottoline Morrell
to select the paintings. On 6 November 1910, RF
launched the Manet
and the Post-Impressionists exhibition at the Grafton Gallery, which... |
Theme or Topic Treated in Text | Roger Fry | He wrote here about the Impressionists and the post-Impressionists. He went on to publish monographs on Cezanne
, 1927, and Matisse
, 1930. |
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