Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House.
398
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Edna St Vincent Millay | Flowers of Evil by George Dillon
and ESVM
, their translation of Baudelaire
's Les Fleurs du Mal, was published by Harper
. Individual poems bore the initials of one or other or both translators. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 398 |
Textual Production | Ouida | Ouida
published a novel entitled Folle-Farine: the edition of 1883 used for the Victorian Women Writers Project
quotes Baudelaire
on its title-page. Athenæum. J. Lection. 2287 (26 August 1871): 263-4 Willett, Perry, and Perry Willett, editors. “Victorian Women Writers Project”. Indiana University. |
Intertextuality and Influence | Sylvia Plath | This poem, which reflects her reading in Henry James
, Scott Fitzgerald
, and Charles Baudelaire
, expresses whimsical regret that the days of ogres and dragons, perils and combat, knights and princesses, have passed. Plath, Sylvia. “Ennui”. Blackbird: an online journal of literature and the arts, Vol. 5 , No. 2. |
Occupation | Edgar Allan Poe | EAP
laboured for years as a journalist and editor. Although he had many publications prior to the 1845 publication of The Raven and Other Poems, it was this work that firmly established his popular... |
Intertextuality and Influence | Sally Purcell | |
Education | Michèle Roberts | As a child, says MR
, she lived much of the time in my imagination and in books. The bookcase her mother had had as a student, the local public library, and the local church... |
Textual Production | Michèle Roberts | MR
had another play, Child Lover, premiered at the Tramway Theatre
in Glasgow in 1993. The television adaptation of her story Ma Semblable Ma Soeur (titled from Baudelaire
, with her script), aired on... |
Intertextuality and Influence | Edith Sitwell | Charles Henri Ford
dedicated to ES
his study The Mirror of Baudelaire. Clements, Patricia. Baudelaire and the English Tradition. Princeton University Press. 250 |
Cultural formation | Edith Sitwell | She had been interested in Catholicism for many years, and had allied her thinking with neo-Thomism, a reaching back to medieval thought which saw material world as a reflection of the immaterial reality of God... |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Intertextuality and Influence | Edith Sitwell | Some aspects of this fiction suggest an allegory on ES
's relation with Tchelitchew. Glendinning, Victoria. Edith Sitwell. Weidenfeld & Nicolson. 209 Clements, Patricia. Baudelaire and the English Tradition. Princeton University Press. 248-9 |
Textual Features | Edith Sitwell | French as well as English poetry is much in evidence here, predominantly Gérard de Nerval
, Baudelaire
, Stéphane Mallarmé
, Verlaine
, and Rimbaud
, all of whom she much admired. ES
groups her... |
Textual Production | Muriel Spark | She had completed the narrative title poem (whose title comes from Baudelaire
) the previous year. The Fanfarlo is an exotic lover or muse or alter ego to Baudelaire's character Samuel Cramer. The conception fed... |
Intertextuality and Influence | Muriel Spark | The protagonist is of this light-heartedly surrealist and paradoxically serious tale is Samuel Cramer, the main character of a Charles Baudelaire
story,, now unnaturalistically aged and running a rooming-house in Africa. He has written a... |
Theme or Topic Treated in Text | Maud Sulter |
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