Beauman, Nicola. Cynthia Asquith. Hamish Hamilton.
235ff
Sir J. M. Barrie
-
Standard Name: Barrie, Sir J. M.
Used Form: Sir James Barrie
Used Form: Sir James Matthew Barrie
SJMB
began his career in the late nineteenth century as a journalist, then moved to short stories, then novels, then plays. Those of his plays which survive in the repertoire, for professionals or amateurs, all involve departures from actuality, and purposeful suspension of the laws of space and time. Far and away the most famous, the basis of Barrie's continuing fame, is the adult play which became a children's classic, Peter Pan.
Connections
| Connections | Author name Sort descending | Excerpt |
|---|---|---|
| Family and Intimate relationships | Lady Cynthia Asquith | She had a romantic friendship during the years 1918 and 1919 with Desmond MacCarthy
, who was less than ten years her senior and a member of the Bloomsbury group. |
| Family and Intimate relationships | Lady Cynthia Asquith | Barrie
was a famous writer making huge sums of money when LCA
met him. He was about the age of her father, had been unsuccessfully married, and doted on the idea of motherhood and on... |
| Wealth and Poverty | Lady Cynthia Asquith | Money had became tight for LCA
and her husband (though cushioned by their wealthy and generous extended families) when he joined up in the First World War, cutting off the income from the Bar which... |
| Textual Production | Lady Cynthia Asquith | This article (written in two days) began a series in the Times entitled The Woman's View and signed A Correspondent. She received fifteen guineas for an article of 750 words, generally written in two... |
| Textual Production | Lady Cynthia Asquith | LCA
's column for the Times and her articles elsewhere led naturally to further miscellaneous work for and about children. (Evelyn Waugh
was mistaken in his unshakable belief that she was the true author... |
| Literary responses | Lady Cynthia Asquith | The Times Literary Supplement gave this book a respectful single-paragraph review under the category Education. It may have been Asquith's social standing as much as her talent which continued to provide her with reviews of... |
| Intertextuality and Influence | Beryl Bainbridge | An Awfully Big Adventure is set in 1950. Its title is the phrase which J. M. Barrie
's Peter Pan uses about death. Its protagonist, Stella, works for a Liverpool repertory company as BB
had... |
| Textual Production | Beryl Bainbridge | In 2003 BB
was at work on a detective novel currently titled Dear Brutus (a title borrowed from J. M. Barrie
, replacing the earlier The Might Have Been) and set in the 1970s... |
| Textual Production | Dorothy Brett | The Washington Post published a strange and hilariously wrong bulletin heralding DB
's apparently non-existent pretensions to writing plays, and her equally non-existent engagement to J. M. Barrie
. “J. M. Barrie to Wed Again: Daughter of Lord Esher Said to be Be-trothed to Novelist”. The Washington Post, p. 4. |
| Family and Intimate relationships | Dorothy Brett | DB
's younger sister, Sylvia, later Lady Brooke
, born in 1885, is herself of no minor literary significance. She authored numerous works including two autobiographies, romance novels, and short stories, and claimed J. M. Barrie |
| Textual Features | A. S. Byatt | The author at the heart of this story is a children's writer, Olive Wellwood, who is married to a wealthy banker and lives in a Kentish farmhouse strangely called Todefright. The actual Edith Nesbit
,... |
| Textual Production | Willa Cather | Six months after J. M. Barrie
's novel Sentimental Tommy began to appear serially in Scribner's Magazine, WC
published in the Home Monthly her very short (ten-page) story entitled Tommy, The Unsentimental. Abate, Michelle Ann. “Constructing Modernist Lesbian Affect from Late Victorian Masculine Emotionalism: Willa Cather’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl="a">Tommy, The Unsentimental</span> and J. M. Barrie’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Sentimental Tommy</span>”;. Women’s Writing, Vol. 18 , No. 4, pp. 468-85. 468 |
| Intertextuality and Influence | Willa Cather | Though Cather admired Barrie
in general, she puts forward her Tommy (baptised Theodosia), a tomboyish and business-minded young woman, to counter his sensitive and artistic young man. Abate, Michelle Ann. “Constructing Modernist Lesbian Affect from Late Victorian Masculine Emotionalism: Willa Cather’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl="a">Tommy, The Unsentimental</span> and J. M. Barrie’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Sentimental Tommy</span>”;. Women’s Writing, Vol. 18 , No. 4, pp. 468-85. 469 |
| Textual Production | Richmal Crompton | The title implies opposition to Sir J. M. Barrie
's immensely popular Peter Pan; or, The Boy Who Would Not Grow Up, 1904. RC
published her early stories using the surname Crompton rather than... |
| Literary responses | Ella Hepworth Dixon | J. M. Barrie
greatly admired a one-act play by EHD
, presumably this one. Several reviewers found novelty and promise in The Toyshop of the Heart. Fehlbaum, Valerie. Ella Hepworth Dixon: the Story of a Modern Woman. Ashgate. 150, 161 |
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