Margaret Oliphant

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Standard Name: Oliphant, Margaret
Birth Name: Margaret Oliphant Wilson
Married Name: Margaret Oliphant Oliphant
Pseudonym: Mrs Margaret Maitland
Pseudonym: M. O. W. O.
Used Form: M. O. W. Oliphant
As the breadwinner for her constantly extending family, MO was astonishingly productive. She published (sometimes by name, sometimes anonymously, often with no name but with allusion to her previous works) ninety-eight novels, and three times that many articles for Blackwood's and other magazines. She was equally prolific in short stories and in works of information: biography, socio-historical studies of cities, art criticism, historical sketches, literary histories, and a characteristic, fragmented autobiography, selective but nonetheless revealing. She also did translation and editing. She consistently foregrounds issues involved in Victorian expectations of womanhood: the relationships of daughter, sister, wife, and mother (especially the last).

Connections

Connections Author name Sort ascending Excerpt
Textual Production Jean Plaidy
JP 's Plantagenet saga, a series of fictionalized biographies, began with The Plantagenet Prelude, about the lives of Henry II and his consort Eleanor of Aquitaine .
Eleanor was another compelling historical figure, already...
Textual Production Ouida
Ouida published her second novel, Strathmore: this work was mentioned by Margaret Oliphant in her attack on the sensation noveltwo years later in Blackwood's Edinburgh Magazine.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
Oliphant, Margaret. “Novels”. Blackwood’s Edinburgh Magazine, Vol.
102
, W. Blackwood, pp. 257-80.
269
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
1970 (29 July 1865): 142-3
Textual Production Ouida
Ouida published her novel Idalia (another of those mentioned by Margaret Oliphant in her attack on the sensation novel in September this year).
Oliphant, Margaret. “Novels”. Blackwood’s Edinburgh Magazine, Vol.
102
, W. Blackwood, pp. 257-80.
269
Athenæum. J. Lection.
2053 (2 March 1867): 283
Reception Ouida
Within a few years of her first novel's publication, Ouida had attained some celebrity as a writer, but not all the attention she received was positive. While her sales were strong, she was attacked for...
Theme or Topic Treated in Text Eunice Guthrie Murray
Her subjects here include such comparatively well-known authors as Joanna Baillie , Anne Grant , and Margaret Oliphant , and also the almost unknown diarist and novelist Margaret Calderwood .
Publishing Harriet Martineau
Chapman used her own memorials (based, she claimed, on full access to HM 's private and public papers, personal letters, and her own and others' first-hand knowledge) to flesh out the account in the manuscript...
Literary responses Anne Marsh
The Oxford Dictionary of National Biography notes AM 's very high contemporary reputation. It cites the London Weekly Chronicle and Margaret Oliphant each hailing her, in her heyday, as a leader among women novelists (though...
Textual Production Marie Belloc Lowndes
MBL decided in her teens that she wanted to be a writer. In 1887, with the encouragement of her mother (who was based in France) the two of them embarked on a winter in the...
Intertextuality and Influence Maria Theresa Longworth
She was not the only one to find inspiration for writing in her court experience. In addition to widespread newspaper coverage and several reports of the trials themselves, other creative responses continued to appear. J. R. O'Flanagan
Literary responses Eliza Lynn Linton
Before the second edition was out, in January 1873, ELL wrote to Mark Rutherford to thank him for his approval of this child of my deepest heart & faith. Her letter was offered for sale...
Literary responses Eliza Lynn Linton
In 1878, ELL wrote to a relative, True success comes only by hard work, great courage in self-correction, and the most earnest and intense determination to succeed, not thinking that every endeavour is already success...
Textual Production Q. D. Leavis
QDL (a leading proponent of the significance of Margaret Oliphant's writing at a time when her status was low) contributed the introduction to a new edition of Oliphant 's formerly neglected novel Miss Marjoribanks, 1866.
British Books in Print. J. Whitaker and Sons.
1970
Leavis, Q. D. Collected Essays. Editor Singh, G., Cambridge University Press.
3: vii
Textual Production Q. D. Leavis
QDL wrote the introduction to a new edition of Margaret Oliphant 's Autobiography and Letters, edited by Oliphant's cousin Annie Walker (Mrs Harry Coghill) and published by Leicester University Press .
Keating, Peter John. “A Pen under Pressure”. Times Literary Supplement, No. 3770, p. 616.
616
Leavis, Q. D. Collected Essays. Editor Singh, G., Cambridge University Press.
3: vii
Friends, Associates Emily Lawless
Lawless made a number of other friends, acquaintances, and admirers through her writing, including Margaret Oliphant , an early friend and critic, Rhoda Broughton , George Meredith , Aubrey de Vere , Mary Augusta Ward
Dedications Emily Lawless
In publishing Hurrish, EL eschewed using her courtesy title as the Honourable, though she is the Hon. on most of her later works. This novel proved popular, being published in Edinburgh, London...

Timeline

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Texts

Oliphant, Margaret. The Marriage of Elinor. Macmillan, 1892.
Oliphant, Margaret. The Perpetual Curate. W. Blackwood, 1864.
Oliphant, Margaret. The Primrose Path: A Chapter in the Annals of the Kingdom of Fife. Hurst and Blackett, 1878.
Oliphant, Margaret. The Rector; and, The Doctor’s Family. W. Blackwood, 1863.
Oliphant, Margaret. The Victorian Age of English Literature. Dodd, Mead, 1892.
Oliphant, Margaret, and Francis Romano Oliphant. The Victorian Age of English Literature. Percival and Company, 1892.
Oliphant, Margaret et al. Women Novelists of Queen Victoria’s Reign. Hurst and Blackett, 1897.
Oliphant, Margaret. Zaidee: A Romance. Blackwood, 1856.