Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press.
1: 710
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mary Elizabeth Braddon | This novel contains the first appearance of MEB
's serially-employed character, the proto-sensation novelist Sigismund Smith (although that bitter term of reproach, sensation, had not been invented for the terror of romancers in the... |
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |
Intertextuality and Influence | Medora Gordon Byron | The Englishman ties its first sentence to a quotation from Goldsmith
's Citizen of the World about spontaneous liking for certain individuals. Its first sentence is This spontaneous friendship is not more the offering of... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Dorothea Primrose Campbell | DPC
was one of those claiming serious status for the novel by literary allusion. She uses Horace
on her title-page, Pope
to head the whole novel, and for chapter-headings Chaucer
, Shakespeare
, Goldsmith
... |
Intertextuality and Influence | Cassandra Cooke | In a preface CC
says she found the incident that forms the centre of this novel in The Christian Life by Dr John Scott
(that is The Christian Life, from its beginning to its consummation... |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Intertextuality and Influence | Hannah Cowley | In the plot, marriage for love triumphs over arranged marriage: but Letitia does not reject Doricourt (to whom she was engaged when very young), but converts him. He would prefer in principle to keep his... |
Literary responses | Charlotte Lennox | The favourable review in the Literary Magazine (with which Johnson
was closely connected) probably owed something to his influence. Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press. 1: 710 |
Literary responses | Sarah Wentworth Morton | Julie Ellison
, who traces in Ouâbi the influence of male British poets like Thomson
and Goldsmith
, and their sentimental, topographical, masculinist traditions, Ellison, Julie. “Race and Sensibility in the Early Republic: Ann Eliza Bleecker and Sarah Wentworth Morton”. Subjects and Citizens, edited by Michael Moon and Cathy N. Davidson, Duke University Press, pp. 57-86. 60 |
Literary Setting | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Occupation | Sydney Owenson, Lady Morgan | Sydney Owenson
took up a governess job with Margaret Featherstone
or Featherstonehaugh of Bracklin Castle, Westmeath. Literary critic James Newcomer
, who chooses the second version of the employers' family name, mistakenly says this... |
Occupation | Emmuska, Baroness Orczy | She had suddenly conceived the ambition of becoming an artist (the only profession open to her, as a girl of good family) when she heard that this was the choice of the cousin with whom... |
Publishing | George Eliot | In submitting this anonymous manuscript to Blackwood
, Lewes
invoked the names of Oliver Goldsmith
(author of The Vicar of Wakefield) and of Jane Austen
. The firm of Blackwood
turned out to be... |
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