Ovid

Standard Name: Ovid

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Marina Warner
MW published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid .
Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, pp. 24-5.
24
Jays, David. “Forever changes”. The Observer.
Intertextuality and Influence Natalie Clifford Barney
Rewriting Ovid , NCB attributes Sappho 's death to her love for Timas, a young female disciple, instead of Phaon.
Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce.
249
Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale University Press.
2: 226
The text incorporates quotations from Sappho , together with footnotes in Greek and critical commentary.
Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. University of Texas Press.
291
Intertextuality and Influence Sarah Green
The plot owes something to Charlotte Lennox 's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney , then Radcliffe , then Owenson , then Rosa Matilda
Intertextuality and Influence Ezra Pound
Pound weaves classical mythology and legend into the first set of cantos, with allusions to Odysseus, Dionysus, and Ovid .
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1.
6
Intertextuality and Influence Aphra Behn
This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan clergyman guyed as Tickletext, in transparent allusion to Titus Oates and the Popish Plot. The three heroines all...
Intertextuality and Influence Ann Hatton
The title-page quotes Ovid and the first chapter is headed by Byron . The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young...
Intertextuality and Influence Sally Purcell
Again this book inhabits the borders between living and dead, dream and waking; many short poems create self-contained moments in the progress of some quest or pilgrimage. The rather longer Tomis, December, speaks...
Intertextuality and Influence Eliza Haywood
The first title-page quotes a line from Lansdowne which might serve as an epigraph for most of EH 's oeuvre: first or last, we all must love.
Haywood, Eliza. Love in Excess. Editor Oakleaf, David, Broadview.
33
The narrative exemplifies her power over her...
Intertextuality and Influence Mary Robinson
MR 's preface quotes that of Charlotte Smith to her Elegiac Sonnets.
Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64.
45
She presents her own work as one of scholarship, explaining that by legitimate in her title she means the sonnet in...
Intertextuality and Influence Marina Warner
Here MW enlarges on Ovid 's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to...
Intertextuality and Influence Frances Seymour, Countess of Hertford
Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone...
Intertextuality and Influence Marina Warner
The editor notes that Warner's contribution follows a stratedy also used by Ovid himself in deliberately confusing the story of Leto and her babies with other stories. Through the metamorphic nature of the narrative, she...
Intertextuality and Influence Gladys Henrietta Schütze
The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon . GHS quotes a stanza from it, along with other, more canonical poets from Ovid through Milton and Wordsworth
Intertextuality and Influence Susanna Watts
The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear...

Timeline

No timeline events available.

Texts

No bibliographical results available.