Gore, Catherine. Mothers and Daughters. Bentley.
title-page
Alexander Pope
-
Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Elizabeth Moody | Personal matters mingle with others of public or topical interest, as EM
addresses Joseph Priestley
on the inter-relation of matter and spirit, Marie Antoinette
on her sufferings before her execution, and Dr Thomas Huet
on... |
| Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
| Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, |
| Intertextuality and Influence | Anna Seward | |
| Intertextuality and Influence | Elizabeth Hands | EH
's pastorals include some touching love-stories, but they also regularly reverse the gender situations traditional to the genre. It is pairs of nymphs (not pairs of shepherds) who are alike ambitious to excel in... |
| Intertextuality and Influence | Lucy Aikin | LA
's preface denies the absurd notion that absolute gender equality might be feasible and advises women not to attempt to become inferior men. But she asserts, there is not an endowment, or propensity, or... |
| Intertextuality and Influence | Anne Plumptre | AP
quotes Pope
on her title-page (about indifference to fame) and Shakespeare
, Thomson
, Savage
, and others as chapter-headings. She sets her novel around the lakes of Killarney in Ireland. Antonia is... |
| Intertextuality and Influence | Lady Charlotte Bury | The title-page quotes supposedly from Pope
but actually from Prior
: Nor tears that wash out sin, can wash out shame. Bury, Lady Charlotte. The Divorced. Henry Colburn. title-page |
| Intertextuality and Influence | Anne Grant | Her range of literary reference and comment is wide: as well as Richardson
(whose Clarissa she unequivocally praises), Grant, Anne. Letters from the Mountains. Longman, Hurst, Rees, and Orme. 2: 45-8 |
| Intertextuality and Influence | Anna Seward | Even her few pages here consist chiefly of quotations from others: from Pope
's Eloisa to Abelard, Judith Cowper
's Abelard to Eloisa, and Abelard's own Letter to Philanthus. |
| Intertextuality and Influence | Jane Harvey | |
| Intertextuality and Influence | Ann Thicknesse | AT
makes it clear she is no proto-feminist: If women are thought to possess minds less capable of solid reflection than men, they owe this conjecture entirely to their own vanity, and erroneous method of... |
| Intertextuality and Influence | Anna Atkins | She gives her chapters epigraphs, many of them eighteenth-century: the Memoirs of Cardinal de Retz, quoted in French on the title-page and to open volume three; Molière
and Pope
's Rape of the Lock... |
| Intertextuality and Influence | Sydney Owenson, Lady Morgan | Morgan lashed back with gusto at the hired agents of the authorities who had attacked her private character, my person, my principles, my country, my friends, my kindred, and even my dress. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 179 |
| Intertextuality and Influence | Mary Latter | The poem is in octosyllabics (or, considering the many feminine endings, in the hudibrastics of Samuel Butler
). After an opening address to the conventionally starving and scruffy nameless Grubstreet Muses!, Latter, Mary. Liberty and Interest. James Fletcher. 1 |
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