Chambers, Marianne. He Deceives Himself. Dilly.
title-page
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Marianne Chambers | Her title-page presents the subscription as a matter of charity by mentioning the death of her father, It also quotes Pope
's self-deprecating apology for writing: I left no calling for this idle trade. Chambers, Marianne. He Deceives Himself. Dilly. title-page |
Health | Mary Chandler | MC
had poor health. She was handicapped by a crooked spine (not unlike Pope
). She became a devotee of the vegetarian regimes of Dr George Cheyne
, and may even have been anorexic. Shuttleton, David. “’All Passion Extinguish’d’: The Case of Mary Chandler, 1687-1745”. Women’s Poetry in the Enlightenment: The Making of a Canon, 1730-1820, edited by Isobel Armstrong and Virginia Blain, St Martin’s Press, pp. 33-49. 43 |
Intertextuality and Influence | Mary Chandler | MC
's brother Samuel (a dissenting minister and bookseller) wrote her life for The Lives of the Poets, 1753 (which bore the authorial name of Theophilus Cibber
). Shiels, Robert, and Theophilus Cibber. The Lives of the Poets of Great Britain and Ireland, to the Time of Dean Swift. R. Griffiths. 5: 345 |
Textual Production | Mary Charlton | The novel is in four volumes, with a title-page quotation from Pope
about designing only in harmony with Nature, and a frontispiece showing the rescue of a fainting girl. Charlton, Mary. Phedora. Minerva Press. title-page |
Textual Features | Jane Collier | The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope
's The Art of Sinking in Poetry and Swift |
Friends, Associates | William Congreve | As a young man Congreve formed a friendship with the older and distinguished Dryden
. He later belonged to the Whig Kit-Cat Club
, and counted most of its members among his friends, while remaining... |
Intertextuality and Influence | Elizabeth Cooper | She notes that poets have lived difficult and unappreciated lives, and that many have been forgotten. Quoting a remark by Pope
(that time, which has made Chaucer
unintelligible, will one day do the same with... |
Intertextuality and Influence | Maria Susanna Cooper | Harriet begins by loving the town better than the country. To Emilia, who prefers the country, she writes: Why Child, the very Thoughts of such a Life stupify me. Cooper, Maria Susanna. Letters Between Emilia and Harriet. R. and J. Dodsley. 6 |
Textual Features | Wendy Cope | Its very title establishes that for her a topic that matters “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Occupation | William John Courthope | WJC
became Professor of Poetry at Oxford
and was responsible for finishing an important edition of Alexander Pope
which had been begun by Whitwell Elwin
. As an editor he tended to read Pope's later... |
Textual Production | Helen Craik | A manuscript of HC
's collected poems has been mentioned, but has not been traced. Burns, Robert. The Poetry of Robert Burns. Editors Henley, William Ernest and Thomas F. Henderson, Caxton . 373 |
Intertextuality and Influence | B. M. Croker | The first chapter is has an epigraph from Pope
(A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton
and... |
Intertextuality and Influence | Margaret Croker | |
Occupation | Edmund Curll | Commentators seem unanimously to have believed Pope
's pamphlet claim that he dosed Curll with an emetic to punish him for illicitly publishing Court Poems on 26 March 1716—though since Pope also claimed to have... |
Textual Production | Anne Dacier | Her French version became the basis for the English one by Ozell
, Broome
, and Oldisworth
the next year, which in turn was much used by Pope
in his poetic rendering, 1715 (which she... |
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