Heath-Caldwell, J. J. “Letters, References and Notes (1780-1874), Relating to James Caldwell and Anne Marsh (Marsh-Caldwell)”. Ancestors and Relatives of JJ Heath-Caldwell.
1839-1842
Connections | Author name Sort descending | Excerpt |
---|---|---|
Performance of text | Liz Lochhead | LL
followed this with Miseryguts, an adaptation altered to fit the contour of present-day Scotland of Molière
's Le misanthrope. Its world premiere took place at the Royal Lyceum Theatre
in Edinburgh... |
Intertextuality and Influence | Lucas Malet | But the context is still the fashionable jungle. Mr Perry can conceive of no higher glory than wealth and social success, and is ruthless in pursuit of these for his daughter and thus himself. Fat... |
Wealth and Poverty | Anne Marsh | Their move back to England was facilitated by a legacy of £5,000 from Anne's father. Heath-Caldwell, J. J. “Letters, References and Notes (1780-1874), Relating to James Caldwell and Anne Marsh (Marsh-Caldwell)”. Ancestors and Relatives of JJ Heath-Caldwell. 1839-1842 |
Intertextuality and Influence | Sarah Murray | Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God... |
Education | Elma Napier | Beginning around 1904, EN
attended a series of boarding schools, including the expensive and exclusive St James's School near West Malvern in Worcestershire, the Catholic Convent at Teignmouth, and Miss Rosina Filippi
's... |
Performance of text | Eliza Parsons | EP
's two-act comedy The Intrigues of a Morning (adapted from Molière
's Monsieur de Pourclaugnac) was produced at Covent Garden
. It was printed the same year, dedicated to Mary Champion de Crespigny
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1447 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Intertextuality and Influence | Mrs F. C. Patrick | The narrative is at first somewhat flat-footed in its insistence that this is not a novel, but it acquires further flavour whenever the old gentleman telling it becomes self-referential. His daughter, he says, acts the... |
Family and Intimate relationships | Teresia Constantia Phillips | TCP
's second serious lover was the impecunious second son of knighted landscape gardener Sir John Southcote
. The son was a Catholic, a womaniser, and an early user of patent-leather shoes. TCP
does not... |
Textual Production | George Sand | This was followed by another play, Claudie, about a fallen woman's return to respectability, which opened at the Porte-Saint-Martin
theatre in January 1851. Two more plays were quickly developed this year: Molière and Le... |
Textual Production | Edith Templeton | ET
published Summer in the Country, her first novel, with an epigraph from Le misanthrope by Molière
. Templeton, Edith, and Anita Brookner. Summer in the Country. Hogarth Press, 1985. prelims “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Education | Melesina Trench | Her successive years with different guardians account for the apparent inconsistency in her comments about her education. In maturity she named her favourite youthful reading as Shakespeare
, Molière
, and Sterne
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Residence | Frances Trollope | Although Frances had no quarrel with her step-mother, shortly after her father's remarriage she and her sister went to live with their brother at 27 Keppel Street, London, where he had obtained a clerkship... |
Theme or Topic Treated in Text | Catharine Trotter | The letters published by Birch reflect an intellect dealing in literary as well as moral debate. To Thomas Burnet of KemnayCT
wrote of religious and philosophical matters; he was her link to currents of... |
Textual Production | Marie-Catherine de Villedieu | Marie-Catherine Desjardins
responded to the appearance of Molière
's Les Précieuses ridicules with a spirited, sometimes creative summary of it: Récit en prose et en vers de la farce des précieuses. Kuizenga, Donna. “Madame de Villeneuve”. Seventeenth-Century French Writers, edited by Françoise Jaouen, Gale, 2003. 385 |
Performance of text | Marie-Catherine de Villedieu | MCV
's Le Favory became the first play by a woman to be given at a command performance before the French monarch
(with newly-composed music by Jean-Baptiste Lully
and a prologue, now lost, by Molière
). Kuizenga, Donna. “Madame de Villeneuve”. Seventeenth-Century French Writers, edited by Françoise Jaouen, Gale, 2003. 386-7 |
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