Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, pp. 41-57.
41
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Anna Brownell Jameson | Characteristics of Women was well received as a work of Shakespeare
criticism: reviewers and literary critics placed it alongside the work of Hazlitt
, Coleridge
, and Schlegel
. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, pp. 41-57. 41 |
Literary responses | Mary Matilda Betham | MMB
said that this book received flattering praises in reviews. Betham, Mary Matilda. “Preface”. Crow-Quill Flights. 7 |
Literary responses | Harriet Martineau | The Illustrations catapulted HM
into fame: she was lionized by London society. She received flattering responses from Coleridge
and from her precursor as a political economist, Jane Marcet
. Chapman, Maria Weston, and Harriet Martineau. “Memorials of Harriet Martineau”. Harriet Martineau’s Autobiography, James R. Osgood, pp. 2: 131 - 596. 212, 214 |
Literary responses | Mary Robinson | On her deathbed MR
regretted that most of her works had been composed in too much haste, Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen. 151 |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
Literary responses | Mary Collyer | This was not to the Critical's taste. It had already this year declared its dislike of German poetry, and slammed Mary Scott
's Messiah. Critical Review. W. Simpkin and R. Marshall. 16 (1763): 393-4 |
Literary responses | Dora Sigerson | The reviewer drew parallels between DS
's naïveté and that of Coleridge
. Sigerson, Dora, and Katharine Tynan. The Sad Years. Constable. end-pages |
Literary responses | Harriet Hamilton King | The reviewer for the Academy compared the Ballad of the Midnight Sun to Samuel Taylor Coleridge
's Christabel and spoke highly of many of the other poems. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research. 199: 201 |
Literary responses | Mary Hays | This time most reviews were respectful: the Analytical of course, the Monthly (in which William Taylor
noted that the novel was a cut above the common run, with serious and unusual moral teaching to impart)... |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 143 |
Literary responses | Mary Russell Mitford | She submitted Blanche to Coleridge
for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read... |
Literary responses | Georgiana Cavendish, Duchess of Devonshire | Bound in with the Bodleian
's copy of ?1795 is a fair scribal copy of Verses addressed to the Duchess of Devonshire upon reading her poem written in Switzerland, in 23 stanzas by W. Drummond |
Intertextuality and Influence | Mary Webb | The title recalls Coleridge
's ancient mariner, and the moment at which, unaware, he blesses the water snakes and finds himself once more able to pray: as if the transcendental, natural world has forgiven him... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
No timeline events available.
No bibliographical results available.