Critical Review. W. Simpkin and R. Marshall.
2nd ser. 16 (1796): 209
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Wollstonecraft | The Critical Review noticed this as the interesting, well realised work of an author already known to the public as an ingenious writer, though not always correct either in her sentiments or her style. Critical Review. W. Simpkin and R. Marshall. 2nd ser. 16 (1796): 209 |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Elizabeth Strutt | Women, says ES
, must be essentially equal with men since both are made in God's image. But women's existing social position Strutt, Elizabeth. The Feminine Soul. J. S. Hodson. 1 |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Margaret Kennedy | Of MK
's sixteen novels, Together and Apart is the one most firmly set in the novelist's own time period. The female protagonist, Betsy Canning, like Agatha of The Ladies of Lyndon, feels her... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Sara Coleridge | Father, no amaranths e'er shall wreathe my brow.— Enough that round thy grave they flourish now:— . . . . Ne'er was it mine t'unlock rich founts of song, As thine it was ere Time... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company. 13 |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Literary responses | Mary Hays | This time most reviews were respectful: the Analytical of course, the Monthly (in which William Taylor
noted that the novel was a cut above the common run, with serious and unusual moral teaching to impart)... |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 143 |
Literary responses | Mary Russell Mitford | She submitted Blanche to Coleridge
for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read... |
Literary responses | Georgiana Cavendish, Duchess of Devonshire | Bound in with the Bodleian
's copy of ?1795 is a fair scribal copy of Verses addressed to the Duchess of Devonshire upon reading her poem written in Switzerland, in 23 stanzas by W. Drummond |
Literary responses | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin. 737 |
Literary responses | Charlotte Smith | Coleridge
(though he was later respectful of CS
's sonnets) was surely aiming at her in his Nehemiah Higginbottom sonnet parodies in the Monthly Magazine. Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol. 9 , No. 3, pp. 363-92. 363, 381 |
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