Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray.
90
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Literary responses | Michael Field | George Meredith
thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse... |
| Literary responses | Michael Field | George Meredith
wrote to MF
after reading Attila, My Attila!, admitting that he had little praise for the line or the characters. |
| Literary responses | Viola Meynell | In The Bookman, C. E. Lawrence
welcomed this novel as an individual effort of work which proves that however much she may have studied in the past . . . Miss Meynell has a... |
| Literary responses | Edna St Vincent Millay | In The NationRolfe Humphries
responded with comment on the shape of her career, regretting that she had become a legend before becoming a success, that her public now included collectors as well as readers... |
| Literary responses | Sarah Grand | Feminists, social reformers, and literary men, such as Mark Twain
, George Meredith
, and George Bernard Shaw
, greeted this novel with excitement and appreciation. Mitchell, Sally, and Sarah Grand. “Introduction”. The Beth Book, Thoemmes, p. v - xxiv. vi |
| Literary responses | Sarah Grand | The Times Literary Supplement called this novel a preposterous story, preposterously related. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 544 |
| Literary responses | Marie Belloc Lowndes | |
| Literary responses | Louisa Catherine Shore | Elegies was praised by Robert Browning
, George Meredith
, and William Gladstone
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. Shore, Arabella. First and Last Poems. Grant Richards. v |
| Intertextuality and Influence | John Oliver Hobbes | Pearl Richards (later JOH
) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less... |
| Intertextuality and Influence | John Oliver Hobbes | She had been still writing it in the USA and after her return to London at the beginning of this year after its serialization had begun. Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray. 33-4 |
| Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
| Intertextuality and Influence | Alice Meynell | AM
's associations with Aubrey de Vere
, Patmore
, and Meredith
were mutually beneficial. She shared with these poet-mentors the passion and facility for metrical and verbal analysis. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 19 |
| Intertextuality and Influence | Mary Stewart | The book is headed with a stanza from George Meredith
: Enter these enchanted woods, / You who dare. Stewart, Mary. Thornyhold. William Morrow. prelims |
| Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
| Friends, Associates | John Oliver Hobbes | She made many friends and acquaintances both as a figure in society and as an author. These included literary people such as George Meredith
, Thomas Hardy
, Punch editor Owen Seaman
, William Archer |
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