Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons.
41
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Catherine Fanshawe | The letter that CF
wrote about her first meeting with Germaine de Staël
(also, apparently, her first meeting with Byron
) concentrates firmly on de Staël: Eloquence is a great word, but not too big... |
Textual Production | Catherine Fanshawe | Three poems were published together anonymously, of which one, variously known as The Ænigma, The Riddle, and Riddle on the Letter H, was attributed to Byron
but was actually written by CF
. Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons. 41 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Friends, Associates | Catherine Fanshawe | When CF
met both Byron
and Germaine de Staël
in spring 1814 at a dinner party at the house of Sir Humphry Davy
, she was unimpressed by Byron and his outpourings of radical opinion... |
Literary responses | Martha Fowke | Critic Jerome McGann
enjoys this poem's lovely antitheses, playful surprises, and delicate eroticism,as well as its subtle and significant revision of the critical ideas of Alexander Pope
. McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Clarendon. 44 |
Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
Publishing | Margaret Fuller | This was followed by a review, in the August issue, of the novels of Edward Bulwer (later Bulwer-Lytton)
(which she put forward as worth examining because of their moral qualities). Further essays by MF
appeared... |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Intertextuality and Influence | Hélène Gingold | She said that some of the poems contained in this volume were written before the age of fifteen. Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. The Season: A Cycle of Verse Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. New York Herald: A Cycle of Verse |
Family and Intimate relationships | Katharine Bruce Glasier | John Bruce Glasier, also a founding member of the Independent Labour Party
and NAC
, was a devoted socialist like KBG
, an aspiring poet, a determined agnostic, and at the end of his life... |
Education | Elinor Glyn | |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. iii |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley. title-page |
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